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Oil and Water: Difference between revisions
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== Variations == | == Variations == | ||
* ''Oil & Water Climax'' from [[Ibidem]] | * ''Oil & Water Climax'' from [[Ibidem]] No. 8, december by [[Ed Marlo]] (1956) have a sequence in which oil and water mixed. | ||
* ''Oil and Queens'' from [[The Devil's Playthings]] by [[Roy Walton]] (1969) adds a kicker where the one set turns into the 4 queens. | * ''Oil and Queens'' from [[The Devil's Playthings]] by [[Roy Walton]] (1969) adds a kicker where the one set turns into the 4 queens. | ||
* ''Camouflage'' from [[Packet Switches]] (Part Two) by [[Karl Fulves]] (1973) added a climax where all of the cards became the same color. | * ''Camouflage'' from [[Packet Switches]] (Part Two) by [[Karl Fulves]] (1973) added a climax where all of the cards became the same color. | ||
== References == | == References == | ||
Revision as of 10:43, 22 September 2009
Oil and Water is a classic plot in card magic where a small group of red cards are intermixed with a group of black cards. The black cards (representing oil) magically separate and assemble at the top of the packet. This is usually done a number of times.
This effect was noted as a Card Problem by Hofzinser1.
The premiss of this effect was first published by Walter B. Gibson in Jinx as Like Seeks Like (issue 91, November 1940). You need six cards, you use the Glide and you don't openly alternate the cards.
The Oil and Water theme and presentation was created by Ed Marlo, who also developed many methods for the effect, published first in The Cardician and M-U-M (1953).
Variations
- Oil & Water Climax from Ibidem No. 8, december by Ed Marlo (1956) have a sequence in which oil and water mixed.
- Oil and Queens from The Devil's Playthings by Roy Walton (1969) adds a kicker where the one set turns into the 4 queens.
- Camouflage from Packet Switches (Part Two) by Karl Fulves (1973) added a climax where all of the cards became the same color.
References
- 1 in Epilogue N° 11, march 1971 and More Self-working Card Tricks By Karl Fulves page 22 (1984).
Quote : "The Magic Separation : This is what remain of Hofzinser's approach to the Oil and Water (?) theme. The Performer shows a deck of cards, calling attention to the fact that the colors are mixed. The performer places the deck on the table and makes two packets. Immediatly each half is turned face-up, showing all the red in one half, all the blacks in the other."
In Nouvelle Magie Blanche Dévoilée (1853) Ponsin described, page 152, a trick in which, after a spectateur had shuffled the deck, you cut it then give it again to the spectator to look for the figures. He can't find them and you produce them from your pocket.
You do that by "magically" separated spots from figures.
Can we conclude that Hofzinser didn't read and/or understand french ?
I forgot an older reference:
- To Separate the Two Colours of a Pack of Cards by One Cut, page 264 in Rational Recreations, Vol. 4 (1802) by Dr W. Hooper.