Help us get to over 8,756 articles in 2024.
If you know of a magician not listed in MagicPedia, start a New Biography for them. Contact us at magicpediahelp@gmail.com
Billy Bitzer: Difference between revisions
mNo edit summary |
mNo edit summary |
||
| Line 26: | Line 26: | ||
Bitzer worked as a silversmith before an interest in magic led to him joining [[Elias Koopman]]'s Magic Introduction Company in 1894, marketing various novelties. | Bitzer worked as a silversmith before an interest in magic led to him joining [[Elias Koopman]]'s Magic Introduction Company in 1894, marketing various novelties. | ||
In 2003, a survey conducted by the International Cinematographers Guild named him one of the ten most influential cinematographers in history. | In 2003, a survey conducted by the International Cinematographers Guild named him one of the ten most influential cinematographers in history. Bitzer, it is said, "developed camera techniques that set the standard for all future motion pictures." | ||
Among Bitzer's innovations were: | Among Bitzer's innovations were: | ||
Revision as of 07:19, 21 May 2013
| Billy Bitzer | |
| Born | Johann Gottlob Wilhelm Bitzer April 21, 1874 Roxbury, Massachusetts |
|---|---|
| Died | April 29, 1944 (age 70) Hollywood, California |
Billy Bitzer (1874-1944) started out pursuing his interest in magic and developing novelty toys before becoming a celebrated cameraman of the earliest years of American cinema, chiefly through his association with D.W. Griffith.
Bitzer worked as a silversmith before an interest in magic led to him joining Elias Koopman's Magic Introduction Company in 1894, marketing various novelties.
In 2003, a survey conducted by the International Cinematographers Guild named him one of the ten most influential cinematographers in history. Bitzer, it is said, "developed camera techniques that set the standard for all future motion pictures."
Among Bitzer's innovations were:
- the fade out to close a movie scene;
- the iris shot where a circle closes to close a scene;
- soft focus photography with the aid of a light diffusion screen;
- filming entirely under artificial lighting rather than outside;
- lighting, closeups and long shots to create mood;
- perfection of matte photography.
Through the 1930s he annotated the Biograph records at the Museum of Modern Art's Department of Film with Katharine Stone White and then worked on his memoirs, which were published posthumously.[1]
References
|
This page incorporated content from Billy Bitzer,
a page hosted on Wikipedia. Please consult the history of the original page to see a list of its authors. Therefor, this article is also available under the Creative Commons Attribution-ShareAlike License |