https://geniimagazine.com/wiki/index.php?title=Assumptions&feed=atom&action=historyAssumptions - Revision history2024-03-19T06:50:42ZRevision history for this page on the wikiMediaWiki 1.25.5https://geniimagazine.com/wiki/index.php?title=Assumptions&diff=45816&oldid=prevPhilippe billot: /* The Magician Is Unprepared For A Spontaneous Challenge From The Audience */2011-08-29T17:48:26Z<p><span dir="auto"><span class="autocomment">The Magician Is Unprepared For A Spontaneous Challenge From The Audience</span></span></p>
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<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Pit Hartling has a brilliant essay in his book <del class="diffchange diffchange-inline">'</del>Card Fictions<del class="diffchange diffchange-inline">'</del>. He talks about trying to induce challenges from the spectator (which the magician is secretly prepared to tackle). Imagine you had a trick where the spectator could shuffle the deck before the trick starts. Instead of allowing them to just shuffle the deck - it might be more effective to try and act suspiciously with the deck in the hopes that they will challenge the magician to let the spectator shuffle the deck (which of course they can).</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Pit Hartling has a brilliant essay in his book <ins class="diffchange diffchange-inline">[[</ins>Card Fictions<ins class="diffchange diffchange-inline">]]</ins>. He talks about trying to induce challenges from the spectator (which the magician is secretly prepared to tackle). Imagine you had a trick where the spectator could shuffle the deck before the trick starts. Instead of allowing them to just shuffle the deck - it might be more effective to try and act suspiciously with the deck in the hopes that they will challenge the magician to let the spectator shuffle the deck (which of course they can).</div></td></tr>
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</table>Philippe billothttps://geniimagazine.com/wiki/index.php?title=Assumptions&diff=45815&oldid=prevPhilippe billot at 17:47, 29 August 20112011-08-29T17:47:27Z<p></p>
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<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Magicians should ensure that assumptions are not questioned by not giving them a reason (body language, stating the obvious, etc.), even if unconsciously.  </div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Magicians should ensure that assumptions are not questioned by not giving them a reason (body language, stating the obvious, etc.), even if unconsciously.  </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Roberto Giobbi touches on this topic in his Theory section of Card College Vol. 2 as "Prejudices and Expectations" and states ''"In this regard, magic should be very easy, since our spectators fool themselves. All you need do is avoid any words, thoughts or actions that interrupt this tendency''"</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Roberto Giobbi touches on this topic in his Theory section of <ins class="diffchange diffchange-inline">[[</ins>Card College<ins class="diffchange diffchange-inline">, </ins>Vol. 2<ins class="diffchange diffchange-inline">]] </ins>as "Prejudices and Expectations" and states ''"In this regard, magic should be very easy, since our spectators fool themselves. All you need do is avoid any words, thoughts or actions that interrupt this tendency''"</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== General Assumptions ==</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== General Assumptions ==</div></td></tr>
</table>Philippe billothttps://geniimagazine.com/wiki/index.php?title=Assumptions&diff=37721&oldid=prevPhilippe billot: /* References */2010-12-20T09:17:03Z<p><span dir="auto"><span class="autocomment">References</span></span></p>
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<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* From Chapter 3 of "Understanding Magic Essay" [http://members.cox.net/astonishment/essay.html Grey Matters] - "If astonishment is the 'blood' of magic, then these hidden assumptions are the 'veins'"]</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* From Chapter 3 of "Understanding Magic Essay" [http://members.cox.net/astonishment/essay.html Grey Matters] - "If astonishment is the 'blood' of magic, then these hidden assumptions are the 'veins'"]</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Discovering Importance by [[Jamy Ian Swiss]] in [[<del class="diffchange diffchange-inline">Antimony</del>]], Third Quarter 2005</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Discovering Importance by [[Jamy Ian Swiss]] in [[<ins class="diffchange diffchange-inline">Antinomy</ins>]], Third Quarter 2005</div></td></tr>
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</table>Philippe billothttps://geniimagazine.com/wiki/index.php?title=Assumptions&diff=37720&oldid=prevPhilippe billot: /* References */2010-12-20T09:16:42Z<p><span dir="auto"><span class="autocomment">References</span></span></p>
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<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* From Chapter 3 of "Understanding Magic Essay" [http://members.cox.net/astonishment/essay.html Grey Matters] - "If astonishment is the 'blood' of magic, then these hidden assumptions are the 'veins'"]</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* From Chapter 3 of "Understanding Magic Essay" [http://members.cox.net/astonishment/essay.html Grey Matters] - "If astonishment is the 'blood' of magic, then these hidden assumptions are the 'veins'"]</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Discovering Importance by Jamy Ian Swiss <del class="diffchange diffchange-inline"> </del>Antimony, Third Quarter 2005</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Discovering Importance by <ins class="diffchange diffchange-inline">[[</ins>Jamy Ian Swiss<ins class="diffchange diffchange-inline">]] in [[</ins>Antimony<ins class="diffchange diffchange-inline">]]</ins>, Third Quarter 2005</div></td></tr>
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</table>Philippe billothttps://geniimagazine.com/wiki/index.php?title=Assumptions&diff=21715&oldid=prevJpecore: /* A Single Method Is Used */2009-09-03T20:40:21Z<p><span dir="auto"><span class="autocomment">A Single Method Is Used</span></span></p>
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<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>A good way to strengthen a method is to combine more than one principle. Laypeople naturally try to explain effects as being down to a single thing (e.g. it went up the sleeves, mirrors, threads, magnets). Using multiple methods in the same effect is a good way of sidetracking this assumption. Tommy Wonder touches on this in Volume One of 'The Books Of Wonder'. On Page 316, he has an interesting essay called 'The Three Pillars'. In this essay he writes about trying to combine more than one of the three principles of magic (which he classifies as mechanical, psychological and sleight-of-hand), in order to increase the deceptiveness of our effects.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>A good way to strengthen a method is to combine more than one principle. Laypeople naturally try to explain effects as being down to a single thing (e.g. it went up the sleeves, mirrors, threads, magnets). Using multiple methods in the same effect is a good way of sidetracking this assumption. Tommy Wonder touches on this in Volume One of 'The Books Of Wonder'. On Page 316, he has an interesting essay called 'The Three Pillars'. In this essay he writes about trying to combine more than one of the three principles of magic (which he classifies as mechanical, psychological and sleight-of-hand), in order to increase the deceptiveness of our effects.</div></td></tr>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">== Something borrowed would not be gaffed or gimmicked==</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Examples: Inserting gaffs into a borrowed deck is a great way to achieve miracles (a popular approach at magic conventions). As for stacks - I remember reading in Vol. 1 of the Alex Elmsley book (written by Stephen Minch) that Alex was once fooled when Ricky Jay scanned through his deck and culled cards for a set-up for his following trick (he did this under the guise of checking out the cards used in Britain). A few minutes later he borrowed Alex's cads and then demonstrated a remarkably clean gambling demonstration. Another idea (this applies to magicians) is that when borrowing a fellow magician's deck, the deck will often already be set up in some way i.e. the 4 aces on top of the deck. This is because a lot of magicians carry decks which are already set up for their next trick - this can be used to great effect.</ins></div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Card Magic/Close-up Assumptions ==</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Card Magic/Close-up Assumptions ==</div></td></tr>
</table>Jpecorehttps://geniimagazine.com/wiki/index.php?title=Assumptions&diff=21649&oldid=prevJpecore: /* The method happens during the effect */2009-09-02T19:24:28Z<p><span dir="auto"><span class="autocomment">The method happens during the effect</span></span></p>
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<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Feel free to add more, debate, provide scientific explanations or examples.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Feel free to add more, debate, provide scientific explanations or examples.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>=== The <del class="diffchange diffchange-inline">method happens during the effect </del> ===</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>=== The <ins class="diffchange diffchange-inline">Method Happens During The Effect </ins> ===</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>''From a [[Michael Vincent]] DVD.''</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>''From a [[Michael Vincent]] DVD.''</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>The audience does not assume that the method for a trick is done after the trick is completed. Most audiences relax at the end of a trick which allows you to perform a move, which at this time would either be to set up for a forthcoming effect or to clean up from the previous effect.  Often used with 'kicker endings' and  multiple climaxes, just as one climax finishes the audience relaxes and they are taken 'off guard' by the next climax.  </div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>The audience does not assume that the method for a trick is done after the trick is completed. Most audiences relax at the end of a trick which allows you to perform a move, which at this time would either be to set up for a forthcoming effect or to clean up from the previous effect.  Often used with 'kicker endings' and  multiple climaxes, just as one climax finishes the audience relaxes and they are taken 'off guard' by the next climax.  </div></td></tr>
</table>Jpecorehttps://geniimagazine.com/wiki/index.php?title=Assumptions&diff=21648&oldid=prevJpecore: changing the title to an "assumption"2009-09-02T19:24:07Z<p>changing the title to an "assumption"</p>
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<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Feel free to add more, debate, provide scientific explanations or examples.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Feel free to add more, debate, provide scientific explanations or examples.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>===The <del class="diffchange diffchange-inline">Method For The Trick Is Completed After The Trick Is Completed</del>===</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>=== The <ins class="diffchange diffchange-inline">method happens during the effect  </ins>===</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>''From a [[Michael Vincent]] DVD.''</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>''From a [[Michael Vincent]] DVD.''</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">The audience does not assume that the method for a trick is done after the trick is completed. </ins>Most audiences relax at the end of a trick which allows you to perform a move, which at this time would either be to set up for a forthcoming effect or to clean up from the previous effect.  Often used with 'kicker endings' and  multiple climaxes, just as one climax finishes the audience relaxes and they are taken 'off guard' by the next climax.  </div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Most audiences relax at the end of a trick which allows you to perform a move, which at this time would either be to set up for a forthcoming effect or to clean up from the previous effect.  Often used with 'kicker endings' and  multiple climaxes, just as one climax finishes the audience relaxes and they are taken 'off guard' by the next climax.  </div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>An example trick would be Francis Carlye 'Card To Pocket'. The card is produced from a pocket (the spectator assumes it is his card). The trick seems to be over. However, at the same time the magician secretly palms the selection from the deck and then produces it from the pocket (thus switching the card on display for the spectator's selection). Another example would be from Michael Vincent's 'The Classical Magic Of Michael Vincent Vol. 1' which details a sleight-of-hand method for Brainwave in which the method is completed AFTER the climax of the trick.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>An example trick would be Francis Carlye 'Card To Pocket'. The card is produced from a pocket (the spectator assumes it is his card). The trick seems to be over. However, at the same time the magician secretly palms the selection from the deck and then produces it from the pocket (thus switching the card on display for the spectator's selection). Another example would be from Michael Vincent's 'The Classical Magic Of Michael Vincent Vol. 1' which details a sleight-of-hand method for Brainwave in which the method is completed AFTER the climax of the trick.</div></td></tr>
</table>Jpecorehttps://geniimagazine.com/wiki/index.php?title=Assumptions&diff=21647&oldid=prevJpecore: /* Geek Magic */2009-09-02T19:18:50Z<p><span dir="auto"><span class="autocomment">Geek Magic</span></span></p>
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<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>This cryptic statement is my way of summarizing the following idea. Alot of incredibly clean and strong magic can be done if we pick somebody who everybody knows not to be a magician and let them be the star. Imagine being in a group of people (who don't realize you have an interest in magic) and then allowing somebody else to perform a trick for you. You can use sleight of hand as you shuffle the deck and pick a card in order to let them receive the credit for impossibly clean sandwich effects or whatever else you fancy (cutting the four aces?). This idea can be extended in a bunch of ways and requires the magician to give up a piece of his ego in order to let somebody else take the credit. Think of it as working undercover.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>This cryptic statement is my way of summarizing the following idea. Alot of incredibly clean and strong magic can be done if we pick somebody who everybody knows not to be a magician and let them be the star. Imagine being in a group of people (who don't realize you have an interest in magic) and then allowing somebody else to perform a trick for you. You can use sleight of hand as you shuffle the deck and pick a card in order to let them receive the credit for impossibly clean sandwich effects or whatever else you fancy (cutting the four aces?). This idea can be extended in a bunch of ways and requires the magician to give up a piece of his ego in order to let somebody else take the credit. Think of it as working undercover.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>===Geek Magic===</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>=== Geek Magic <ins class="diffchange diffchange-inline">/ There must be a trick to it  </ins>===</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>You fool them by actually doing what they think you are only pretending to do. Imagine you decided to eat a packet of lit cigarettes and pretended it was a magic effect. This could fool people. <del class="diffchange diffchange-inline">The </del>example <del class="diffchange diffchange-inline">I give </del>has an ironic touch to it. I read somewhere that Tom Mullica was once denied a magic prize (at FISM?) because the judges believed he was actually eating the lit cigarettes involved (he was actually only pretending to - the method involved a clever mix of psychology and sleight-of-hand).</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>You fool them by actually doing what they think you are only pretending to do. Imagine you decided to eat a packet of lit cigarettes and pretended it was a magic effect. This could fool people.  </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">This eating cigarettes </ins>example has an ironic touch to it. I read somewhere that Tom Mullica was once denied a magic prize (at FISM?) because the judges believed he was actually eating the lit cigarettes involved (he was actually only pretending to - the method involved a clever mix of psychology and sleight-of-hand)<ins class="diffchange diffchange-inline">.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">A reverse assumption "He's known as an expert, so he would not revert to gaffs or tricks". This assumption is used by expert magicians to fool other magicians. Harry Lorayne is known to occasionally use a trick to perform a memory stunt, even though he is well known for being able to do it using real memory techniques. If you are an expert at cheating with cards and the audience assumes you are doing a gambling moves like a double deals, but could actually be doing some other magic sleights to accomplish the same effect</ins>.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>=== The Effect Looks Like Magic===</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>=== The Effect Looks Like Magic===</div></td></tr>
</table>Jpecorehttps://geniimagazine.com/wiki/index.php?title=Assumptions&diff=21646&oldid=prevJpecore: /* Dual Reality */2009-09-02T19:00:19Z<p><span dir="auto"><span class="autocomment">Dual Reality</span></span></p>
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<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>===Dual Reality===</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>===Dual Reality===</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Spectators assume that everybody witnessing the same performance are witnessing the same effect.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Spectators assume that everybody witnessing the same performance are witnessing the same effect.</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Different people also remember different things and find different meanings in the same conversations.</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>===There Is No Method===</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>===There Is No Method===</div></td></tr>
</table>Jpecorehttps://geniimagazine.com/wiki/index.php?title=Assumptions&diff=21645&oldid=prevJpecore: /* Very Expensive Methods Won't Be In Use */2009-09-02T18:56:18Z<p><span dir="auto"><span class="autocomment">Very Expensive Methods Won't Be In Use</span></span></p>
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</tr><tr><td colspan="2" class="diff-lineno" id="L60" >Line 60:</td>
<td colspan="2" class="diff-lineno">Line 60:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>I remember Penn and Teller doing a wonderful stunt. It was on a UK TV show and was an attempt at the world's most expensive card trick. Penn stopped a spectator on the street in Leicester Square, London. He had a card selected and whilst the card was removed he fanned the deck of cards (now missing a card) to the camera. Back in the TV Studio, Teller used a computer program to scan through the image of the 51 card fan. It quickly found the missing card which he then typed into a computer. This then sent the message to a giant electronic advertising board behind the spectator. Penn then glanced at this board to find what the chosen card was. He then told the spectator what his card was. The spectator was impressed and had no idea of the technology and thousands of pounds involved. A very amusing stunt for the viewer at home. However - in a later interview - P&T said they just used a stooge to achieve the effect. So, the expensive and involved method involved was just for the amusement of the people watching at home and wasn't the true method involved.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>I remember Penn and Teller doing a wonderful stunt. It was on a UK TV show and was an attempt at the world's most expensive card trick. Penn stopped a spectator on the street in Leicester Square, London. He had a card selected and whilst the card was removed he fanned the deck of cards (now missing a card) to the camera. Back in the TV Studio, Teller used a computer program to scan through the image of the 51 card fan. It quickly found the missing card which he then typed into a computer. This then sent the message to a giant electronic advertising board behind the spectator. Penn then glanced at this board to find what the chosen card was. He then told the spectator what his card was. The spectator was impressed and had no idea of the technology and thousands of pounds involved. A very amusing stunt for the viewer at home. However - in a later interview - P&T said they just used a stooge to achieve the effect. So, the expensive and involved method involved was just for the amusement of the people watching at home and wasn't the true method involved.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>===Very Expensive Methods <del class="diffchange diffchange-inline">Won't </del>Be In Use===</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>===Very Expensive <ins class="diffchange diffchange-inline">(or Labor Intensive) </ins>Methods <ins class="diffchange diffchange-inline">Would Not </ins>Be In Use===</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>This touches on the example above. Surely - a spectator would discount the possibility that thousands (millions?) of pounds are involved in the successful carrying off of a magic trick. Imagine how badly Bill Gates could fool you if he decided to blow a billion pounds on an incredible "pick a card, any card" trick...</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>This touches on the example above. Surely - a spectator would discount the possibility that thousands (millions?) of pounds are involved in the successful carrying off of a magic trick. Imagine how badly Bill Gates could fool you if he decided to blow a billion pounds on an incredible "pick a card, any card" trick...</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">The same goes for the amount of trouble someone would go to just to fool someone. For example, laymen assume that a magician would not go through the amount of work required to memorize the order of a deck of cards just to do some card tricks.</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>===The Method Won't Involve An Important New Scientific Discovery That Has Being Kept Secret For The Sake Of It's Use In Magic===</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>===The Method Won't Involve An Important New Scientific Discovery That Has Being Kept Secret For The Sake Of It's Use In Magic===</div></td></tr>
</table>Jpecore