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Difference between revisions of "New Jinx"
From Magicpedia, the free online encyclopedia for magicians by magicians.
Line 2: | Line 2: | ||
Madsen used the pen-name of Arlecchino as the editor. | Madsen used the pen-name of Arlecchino as the editor. | ||
+ | |||
+ | == Contents == | ||
+ | <table width="100%" border="0" cellspacing="0" cellpadding="0"> | ||
+ | <tr> | ||
+ | <td valign=top colspan=2><strong><u>April 1962</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>The First Copy of the New Jinx (Madsen Bill)</td> | ||
+ | <td valign=top><div align=right>1</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Foreign Exchange (Lynn Martin)</td> | ||
+ | <td valign=top><div align=right>1</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Prediction de Luxe (Madsen Bill)</td> | ||
+ | <td valign=top><div align=right>2</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Ro-pin</td> | ||
+ | <td valign=top><div align=right>3</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Balancia</td> | ||
+ | <td valign=top><div align=right>3</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>The Camel & the Needle's Eye (Clayton Rawon)</td> | ||
+ | <td valign=top><div align=right>4</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 1, No. 1, May 1962</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Joe Korengo (Jozsef Elsinger)</td> | ||
+ | <td valign=top><div align=right>1</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Moon Flight (Joe Korengo)</td> | ||
+ | <td valign=top><div align=right>2</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Everyman's Vanishing Cane (Joe Korengo)</td> | ||
+ | <td valign=top><div align=right>2</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Good Old Days and Today (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>3</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Comedy Candle to Flower</td> | ||
+ | <td valign=top><div align=right>4</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>The Creepy Hank</td> | ||
+ | <td valign=top><div align=right>4</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Ten & One (Jack Vosburgh)</td> | ||
+ | <td valign=top><div align=right>4</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 1, No. 2, June 1962</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Card in the Soup (Martin Lynn)</td> | ||
+ | <td valign=top><div align=right>5</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Things Are Getting Better All the Time (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>6</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Thimbleitis</td> | ||
+ | <td valign=top><div align=right>6</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>The Twist Color Change (Martin Lynn)</td> | ||
+ | <td valign=top><div align=right>7</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>A Crooked Deck</td> | ||
+ | <td valign=top><div align=right>8</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>The Snake in the Turban</td> | ||
+ | <td valign=top><div align=right>8</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>One Little Word (Albert Sidney)</td> | ||
+ | <td valign=top><div align=right>8</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 1, No. 3, July 1962</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Come Fill the Cup (Martin Lynn)</td> | ||
+ | <td valign=top><div align=right>9</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>First Critic (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>10</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>The Coin in the Funnel</td> | ||
+ | <td valign=top><div align=right>10</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>The Devil's Die Secret (Paul Rosini)</td> | ||
+ | <td valign=top><div align=right>11</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Sacrifice (Martin Lynn)</td> | ||
+ | <td valign=top><div align=right>12</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 1, No. 4, August 1962</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Senor Torino (Tony Kardyro)</td> | ||
+ | <td valign=top><div align=right>13</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Editorial Subjects (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>14</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Parallel Thoughts (Ted Annemann)</td> | ||
+ | <td valign=top><div align=right>15</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>The Invisible Trip (Tony Kardyro)</td> | ||
+ | <td valign=top><div align=right>16</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 1, No. 5, September 1962</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Rabbit Monte (Martin Lynn)</td> | ||
+ | <td valign=top><div align=right>17</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>An Editor's Dream (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>18</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Familiar Spirit (Kent Arthur)</td> | ||
+ | <td valign=top><div align=right>19</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Cardivino (North Bigbee)</td> | ||
+ | <td valign=top><div align=right>20</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 1, No. 6, October 1962</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Food for Thought (Irv Weiner)</td> | ||
+ | <td valign=top><div align=right>21</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Conspiracy of Silence (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>22</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>The So Simple Force (Lynn Searles)</td> | ||
+ | <td valign=top><div align=right>22</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Irving Weiner</td> | ||
+ | <td valign=top><div align=right>23</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>The Impressive Moderne (Ted Annemann)</td> | ||
+ | <td valign=top><div align=right>24</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Irv's Crimp Control (Irv Weiner)</td> | ||
+ | <td valign=top><div align=right>25</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>The Prophet's Beard (Irv Weiner-Ray Hyman)</td> | ||
+ | <td valign=top><div align=right>26</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 1, No. 7, November 1962</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Bestop (Stewart James)</td> | ||
+ | <td valign=top><div align=right>27</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Pro and Con (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>28</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>An Open Letter to Eddie Clever (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>28</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>A Divination with Matches (Fred DeMuth)</td> | ||
+ | <td valign=top><div align=right>29</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Copper & Silver (Edward Marlo)</td> | ||
+ | <td valign=top><div align=right>30</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 1, No. 8, December 1962</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Tribute (Gene Maze)</td> | ||
+ | <td valign=top><div align=right>31</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>New Contributors (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>32</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>White Magic (North Bigbee)</td> | ||
+ | <td valign=top><div align=right>32</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Count Down (Montgomery Crowe)</td> | ||
+ | <td valign=top><div align=right>33</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Jinx ZipperCcocktail (Ted Annemann)</td> | ||
+ | <td valign=top><div align=right>33</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>The Monroe Doctrine (Arthur Monroe)</td> | ||
+ | <td valign=top><div align=right>34</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 1, No. 9, January 1963</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>JB Bobo</td> | ||
+ | <td valign=top><div align=right>35</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>To Thank Each One in Person (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>36</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Change in the Spectator's Hand (JB Bobo)</td> | ||
+ | <td valign=top><div align=right>37</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Come & Coin Go (JB Bobo)</td> | ||
+ | <td valign=top><div align=right>38</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Thru-pocket Vanish (JB Bobo)</td> | ||
+ | <td valign=top><div align=right>39</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Wise Guy Catch (S. Wimbrough)</td> | ||
+ | <td valign=top><div align=right>39</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Etheral Silk (JB Bobo)</td> | ||
+ | <td valign=top><div align=right>40</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 1, No. 10, February 1963</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Alphabet Telepathy (North Bigbee)</td> | ||
+ | <td valign=top><div align=right>41</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Holden's Magic Shop (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>42</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Applause Card (Herb Runge)</td> | ||
+ | <td valign=top><div align=right>43</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Toss off (Elwin Shaw)</td> | ||
+ | <td valign=top><div align=right>43</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Lock & Key (Hen Fetsch)</td> | ||
+ | <td valign=top><div align=right>44</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 1, No. 11, March 1963</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Tele Tact (Danny Tong)</td> | ||
+ | <td valign=top><div align=right>45</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Danny Tong (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>46</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Vari-mental (Danny Tong)</td> | ||
+ | <td valign=top><div align=right>46</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Danny Tony</td> | ||
+ | <td valign=top><div align=right>47</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Tugudtoname (Danny Tong)</td> | ||
+ | <td valign=top><div align=right>47</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Prognostica (Danny Tong)</td> | ||
+ | <td valign=top><div align=right>48</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Commando ! (Danny Tong)</td> | ||
+ | <td valign=top><div align=right>48</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>The Mutilated Card (Russell Prunier)</td> | ||
+ | <td valign=top><div align=right>49</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Double-back Doublecross (Danny Tong)</td> | ||
+ | <td valign=top><div align=right>50</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 1, No. 12, April 1963</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Crazy Huh ? (Irv Weiner)</td> | ||
+ | <td valign=top><div align=right>51</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>The First Year of the New Jinx (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>52</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Hypnosis (Al Forgione)</td> | ||
+ | <td valign=top><div align=right>52</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>No'men-cla'ture (Joseph Dunninger)</td> | ||
+ | <td valign=top><div align=right>52</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Dark Vision (North Bigbee)</td> | ||
+ | <td valign=top><div align=right>53</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>X Change (Tony Kardyro)</td> | ||
+ | <td valign=top><div align=right>54</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 2, No. 13, May 1963</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Biblical Numbers (Ace Gorham)</td> | ||
+ | <td valign=top><div align=right>55</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Cat-A-Tonic Cocktail (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>56</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Im-pr�ve'ment (Leslie May)</td> | ||
+ | <td valign=top><div align=right>56</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Paying it Safe (Ace Gorham)</td> | ||
+ | <td valign=top><div align=right>57</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Ace Gorham</td> | ||
+ | <td valign=top><div align=right>57</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>A Reverse Thought (Ace Gorham)</td> | ||
+ | <td valign=top><div align=right>58</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Three Way Mentalism (Ace Gorham)</td> | ||
+ | <td valign=top><div align=right>58</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Stop ! (Ace Gorham)</td> | ||
+ | <td valign=top><div align=right>58</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 2, No. 14, June 1963</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Witch Doctor's Ritual (Felix Greenfield)</td> | ||
+ | <td valign=top><div align=right>59</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>No Pro File (Madsen Bill)</td> | ||
+ | <td valign=top><div align=right>60</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Extra Special Prediction (Felix Greenfield)</td> | ||
+ | <td valign=top><div align=right>61</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>A 68 Cent Patent (Ted Annemann)</td> | ||
+ | <td valign=top><div align=right>61</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Impossible Prediction (Felix Greenfield)</td> | ||
+ | <td valign=top><div align=right>62</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Read my Mind ! (Felix Greenfield)</td> | ||
+ | <td valign=top><div align=right>62</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 2, No. 15, July 1963</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Fortunatas (Edward Marlo)</td> | ||
+ | <td valign=top><div align=right>63</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Lou Tannen's 4th Jubilee in Fallsburg (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>64</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Card Gag (Gerald Kosky)</td> | ||
+ | <td valign=top><div align=right>64</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>The Great Chain Robbery (Larry Weeks)</td> | ||
+ | <td valign=top><div align=right>65</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Hypocritical Memory (Arthur Monroe)</td> | ||
+ | <td valign=top><div align=right>66</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Untitled (Danny Tong)</td> | ||
+ | <td valign=top><div align=right>66</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 2, No. 16, August 1963</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>True Love (Felix Greenfield)</td> | ||
+ | <td valign=top><div align=right>67</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Variation ? (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>68</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Bell Book & Candle (Felix Greenfield)</td> | ||
+ | <td valign=top><div align=right>69</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Fourth Dimensional Sewing (Vosburgh Lyons)</td> | ||
+ | <td valign=top><div align=right>70</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 2, No. 17, September 1963</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>What the ? (Ronnie Gann)</td> | ||
+ | <td valign=top><div align=right>71</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Is There Some Sort of Local Conspiracy ? (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>72</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Ronnie Gann</td> | ||
+ | <td valign=top><div align=right>72</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Duplex Date Reading (Charles T. Jordan)</td> | ||
+ | <td valign=top><div align=right>73</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Coin-A-Matic (Ronnie Gann)</td> | ||
+ | <td valign=top><div align=right>73</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Matchic (Ronnie Gann)</td> | ||
+ | <td valign=top><div align=right>74</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Penetracig (Ronnie Gann)</td> | ||
+ | <td valign=top><div align=right>74</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 2, No. 18, October 1963</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Beyong Belief (Irv Weiner)</td> | ||
+ | <td valign=top><div align=right>75</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>The Unmasking of Arlecchino (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>76</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Dark Sorcery (Albert Sidney)</td> | ||
+ | <td valign=top><div align=right>76</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Novel Reading (Danny Tong)</td> | ||
+ | <td valign=top><div align=right>77</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Jumbo Prediction (North Bigbee)</td> | ||
+ | <td valign=top><div align=right>78</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 2, No. 19, November 1963</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Person to Person (Leslie May)</td> | ||
+ | <td valign=top><div align=right>79</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Edge of the Coin (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>80</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Leslie May</td> | ||
+ | <td valign=top><div align=right>81</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>It's in the Book (Leslie May)</td> | ||
+ | <td valign=top><div align=right>81</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>The Jinx Five-foot Shelf of Magic (Ted Annemann)</td> | ||
+ | <td valign=top><div align=right>81</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Lucky Lips (Leslie May)</td> | ||
+ | <td valign=top><div align=right>82</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>This That Those (May Leslie)</td> | ||
+ | <td valign=top><div align=right>82</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 2, No. 20, December 1963</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Boston I.B.M.'s First Magicana (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>84</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Jinx Blazer (Ted Annemann)</td> | ||
+ | <td valign=top><div align=right>84</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Hart Throbs (Arthur Monroe)</td> | ||
+ | <td valign=top><div align=right>85</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Little Theatre (Arthur Monroe)</td> | ||
+ | <td valign=top><div align=right>86</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 2, No. 21, January 1964</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Divining Rods (Milbourne Christopher)</td> | ||
+ | <td valign=top><div align=right>87</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>To Forgive the Unforgiveable (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>88</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>New Look for Mentalists (Larry Weeks)</td> | ||
+ | <td valign=top><div align=right>89</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Tram Card (BB Low)</td> | ||
+ | <td valign=top><div align=right>89</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Behind my Back (Tony Kardyro)</td> | ||
+ | <td valign=top><div align=right>90</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 2, No. 22, February 1964</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Lo ! A Prophet (Eddie Clever)</td> | ||
+ | <td valign=top><div align=right>91</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>An Observation from Micky Hades (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>92</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Eddie Clever</td> | ||
+ | <td valign=top><div align=right>92</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>7 + Psychic = Doubled (Eddie Clever)</td> | ||
+ | <td valign=top><div align=right>94</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 2, No. 23, March 1964</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Figure Fantasy (Jack Vosburgh)</td> | ||
+ | <td valign=top><div align=right>95</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Imagination (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>96</div></td> | ||
+ | </tr> <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>"Time ( You & Another"-Eddie Clever)</td> | ||
+ | <td valign=top><div align=right> </div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Prediction (Sid Lorraine)</td> | ||
+ | <td valign=top><div align=right>97</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Shadows Before (Eddie Clever)</td> | ||
+ | <td valign=top><div align=right>98</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 2, No. 24, April 1964</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Prophesycic (North Bigbee)</td> | ||
+ | <td valign=top><div align=right>99</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Quantity Sometimes Threatens Quality (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>100</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Ribbon of Eurus (Rudy Reimer)</td> | ||
+ | <td valign=top><div align=right>100</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Kort's 4th (Milton Kort)</td> | ||
+ | <td valign=top><div align=right>101</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>It's About Time (Ronnie Gann)</td> | ||
+ | <td valign=top><div align=right>102</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 3, No. 25, May 1964</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>A Nest of Boxes Routine (Ace Gorham)</td> | ||
+ | <td valign=top><div align=right>103</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Thought Waiver (Ace Gorham)</td> | ||
+ | <td valign=top><div align=right>103</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>We Begin our Third Year (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>104</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Addendum (Max Katz)</td> | ||
+ | <td valign=top><div align=right>105</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Windu Dream (Henry Hardin)</td> | ||
+ | <td valign=top><div align=right>105</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>A Cue for You & a Cue for Me (Tony Kardyro)</td> | ||
+ | <td valign=top><div align=right>106</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 3, No. 26, June 1964</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Paradiscophy (David Hoy)</td> | ||
+ | <td valign=top><div align=right>107</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>It Has To Be Seen To Be Depreciated (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>108</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Pen kink (Martin Gardner)</td> | ||
+ | <td valign=top><div align=right>108</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Apologia (David Hoy)</td> | ||
+ | <td valign=top><div align=right>109</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>David Hoy</td> | ||
+ | <td valign=top><div align=right>110</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Easy Way Out (David Hoy)</td> | ||
+ | <td valign=top><div align=right>110</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 3, No. 27, July 1964</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Sly max (Irv Weiner)</td> | ||
+ | <td valign=top><div align=right>111</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Lou Tannen's 5th Magician's Jubilee (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>112</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Penetration (Arthur Bagshaw)</td> | ||
+ | <td valign=top><div align=right>113</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Uno Fa Otto (Irv Weiner)</td> | ||
+ | <td valign=top><div align=right>114</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 3, No. 28, August 1964</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Spectra-ception (Paul Siegel)</td> | ||
+ | <td valign=top><div align=right>115</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>The Gost of a Chance (Otis Manning)</td> | ||
+ | <td valign=top><div align=right>116</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Dermo-Optic Perception (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>117</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Two Needles in a Haystack (Montgomery Crowe)</td> | ||
+ | <td valign=top><div align=right>117</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Frame of Mind (Paul Siegel)</td> | ||
+ | <td valign=top><div align=right>118</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Psychocolor (North Bigbee)</td> | ||
+ | <td valign=top><div align=right>118</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 3, No. 29, September 1964</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Thoughts in Two Sizes (Leslie May)</td> | ||
+ | <td valign=top><div align=right>119</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Guest of Howie Schwarzman (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>120</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Vanishing Wand Presentation (JA Sheterom)</td> | ||
+ | <td valign=top><div align=right>120</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Outer Limit (Mae Forgione)</td> | ||
+ | <td valign=top><div align=right>121</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Psychologia (Ken Krenzel)</td> | ||
+ | <td valign=top><div align=right>121</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Lodestone (Arthur Monroe)</td> | ||
+ | <td valign=top><div align=right>122</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 3, No. 30, October 1964</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Norman's Ark ("JG Thompson- Jr.")</td> | ||
+ | <td valign=top><div align=right> </div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Letter from Walt Rollins (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>124</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>More On (Danny Tong)</td> | ||
+ | <td valign=top><div align=right>125</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Witchwood (Ken De Courcy)</td> | ||
+ | <td valign=top><div align=right>125</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Evaporato (Otto Waldmann)</td> | ||
+ | <td valign=top><div align=right>125</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Menetekel Deck (Newmann George)</td> | ||
+ | <td valign=top><div align=right>126</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 3, No. 31, November 1964</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Transit Dime (John Benzais)</td> | ||
+ | <td valign=top><div align=right>127</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Transit Ring (John Benzais)</td> | ||
+ | <td valign=top><div align=right>127</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Letter from Bob Nelson (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>128</div></td> | ||
+ | </tr> <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>"Your Life ( your Phone"-Montgomery Crowe)</td> | ||
+ | <td valign=top><div align=right> </div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Poker Challenge (Gerald Kaufman)</td> | ||
+ | <td valign=top><div align=right>129</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Arithmetical Progression (Max Katz)</td> | ||
+ | <td valign=top><div align=right>129</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Super Numerary (Ken Krenzel)</td> | ||
+ | <td valign=top><div align=right>130</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 3, No. 32, December 1964</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Three Card Money (Arthur Monroe)</td> | ||
+ | <td valign=top><div align=right>131</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Our Third Christmas Issue (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>132</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>The Psycho-Phone</td> | ||
+ | <td valign=top><div align=right>133</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Solution to Arithmetical Progression (Max Katz)</td> | ||
+ | <td valign=top><div align=right>133</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Elliott Humor (Bruce Elliott)</td> | ||
+ | <td valign=top><div align=right>133</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Impromptu Mene-tekel (North Bigbee)</td> | ||
+ | <td valign=top><div align=right>134</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 3, No. 33, January 1965</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Card in Wallet (John Benzais)</td> | ||
+ | <td valign=top><div align=right>135</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Letter from John Benzais (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>136</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>King of the Conjurers (Jean-Eug�ne Robert-Houdin)</td> | ||
+ | <td valign=top><div align=right>136</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Comedy Mentalism V3 (Bob Nelson)</td> | ||
+ | <td valign=top><div align=right>136</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>John Benzais</td> | ||
+ | <td valign=top><div align=right>137</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Five Cent for your Thoughts (John Benzais)</td> | ||
+ | <td valign=top><div align=right>137</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>4-D Ball Trick (John Benzais)</td> | ||
+ | <td valign=top><div align=right>138</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 3, No. 34, February 1965</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Booknow (Paul Siegel)</td> | ||
+ | <td valign=top><div align=right>139</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>The Wonderful Damon (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>140</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Lapping a Card (John Benzais)</td> | ||
+ | <td valign=top><div align=right>141</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>The Crimped Card Location (John Benzais)</td> | ||
+ | <td valign=top><div align=right>141</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Extra Spectra Mental (Leslie May)</td> | ||
+ | <td valign=top><div align=right>142</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 3, No. 35, March 1965</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Psychic Spell (Felix Greenfield)</td> | ||
+ | <td valign=top><div align=right>143</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Telekinesis (Felix Greenfield)</td> | ||
+ | <td valign=top><div align=right>143</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Has Al Stevenson ESP ? (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>144</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Mentalistrix (Maurice (Cohen Morris))</td> | ||
+ | <td valign=top><div align=right>144</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Psychic & Other ESP Party (David Hoy)</td> | ||
+ | <td valign=top><div align=right>144</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Die-abolical Concept (Felix Greenfield)</td> | ||
+ | <td valign=top><div align=right>145</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>The Time Will Come (Felix Greenfield)</td> | ||
+ | <td valign=top><div align=right>145</div></td> | ||
+ | </tr> <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>"One Finger ( one Hand Right Hand Billet Switch"-Felix Greenfield)</td> | ||
+ | <td valign=top><div align=right> </div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Certificat (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>146</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 3, No. 36, April 1965</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Vates Sacer (Paul Siegel)</td> | ||
+ | <td valign=top><div align=right>147</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>I.B.M. Does Not Permit Criticism in The Linking Ring (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>148</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Siegel Paul (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>148</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Mystery of Eleusis (Paul Siegel)</td> | ||
+ | <td valign=top><div align=right>149</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Talismans of Pelazon (Paul Siegel)</td> | ||
+ | <td valign=top><div align=right>150</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 4, No. 37, May 1965</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Out of my Control (Harry Lorayne)</td> | ||
+ | <td valign=top><div align=right>151</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>The Annual Boston Magirama (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>152</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>The Real Secret of Peeling Cards (John Benzais)</td> | ||
+ | <td valign=top><div align=right>154</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Stranger Interlude (North Bigbee)</td> | ||
+ | <td valign=top><div align=right>154</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 4, No. 38, June 1965</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Ydalir (Max Katz)</td> | ||
+ | <td valign=top><div align=right>155</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>The Jumping Frog (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>156</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Sandstorm (John Benzais)</td> | ||
+ | <td valign=top><div align=right>157</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Assassination (Jesse Langston)</td> | ||
+ | <td valign=top><div align=right>157</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Propelled Lapping (Edward Marlo-Carmen D'Amico)</td> | ||
+ | <td valign=top><div align=right>158</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Propelled Coincidence (Edward Marlo-Carmen D'Amico)</td> | ||
+ | <td valign=top><div align=right>158</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 4, No. 39, July 1965</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>ESPell (Leslie May)</td> | ||
+ | <td valign=top><div align=right>159</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Lou Tannen's 6th Magician's Jubilee (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>160</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Annemann Ted (Leslie May)</td> | ||
+ | <td valign=top><div align=right>161</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Catnips (Joseph White)</td> | ||
+ | <td valign=top><div align=right>161</div></td> | ||
+ | </tr> <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Silksation ("Damon (Bill Madson- Leslie May)</td> | ||
+ | <td valign=top><div align=right> </div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 4, No. 40, August 1965</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Headline Vision (Milbourne Christopher)</td> | ||
+ | <td valign=top><div align=right>163</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>The Playboy Mag of the Magic World (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>164</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Annemann Ted (Leslie May)</td> | ||
+ | <td valign=top><div align=right>165</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Nuchromancy (Richard Koester)</td> | ||
+ | <td valign=top><div align=right>166</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>On the Mat (Larry Weeks)</td> | ||
+ | <td valign=top><div align=right>166</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 4, No. 41, September 1965</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>ESP Mania (Danny Tong)</td> | ||
+ | <td valign=top><div align=right>167</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Do as I do ESP (Danny Tong)</td> | ||
+ | <td valign=top><div align=right>167</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>A Book By and About the Bamberg (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>168</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Questioneer (Danny Tong)</td> | ||
+ | <td valign=top><div align=right>168</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Annemann Ted (Leslie May)</td> | ||
+ | <td valign=top><div align=right>169</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>ESPeriments (Danny Tong)</td> | ||
+ | <td valign=top><div align=right>169</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Thumb Nail Sketches 1 (Danny Tong)</td> | ||
+ | <td valign=top><div align=right>169</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Thumb Nail Sketches 2 (Danny Tong)</td> | ||
+ | <td valign=top><div align=right>169</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Telecodes (Danny Tong)</td> | ||
+ | <td valign=top><div align=right>170</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>ESP Stop (Danny Tong)</td> | ||
+ | <td valign=top><div align=right>170</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 4, No. 42, October 1965</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Bennu (Joseph White)</td> | ||
+ | <td valign=top><div align=right>171</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Reply to Mr. Fulves (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>172</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Card Party (Ned Rutledge-JG Thompson)</td> | ||
+ | <td valign=top><div align=right>172</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>The Amateur Magician's Handbook (r��dition) (Henry Hay (June Barrows Mussey))</td> | ||
+ | <td valign=top><div align=right>172</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Joseph White</td> | ||
+ | <td valign=top><div align=right>172</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Magic for Heaven's Sake (Joseph White)</td> | ||
+ | <td valign=top><div align=right>172</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Annemann Ted (Leslie May)</td> | ||
+ | <td valign=top><div align=right>173</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Tape Palmed Billet (Joseph White)</td> | ||
+ | <td valign=top><div align=right>173</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Tagliostro (Joseph White)</td> | ||
+ | <td valign=top><div align=right>174</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Cutting Odds Down (Joseph White)</td> | ||
+ | <td valign=top><div align=right>174</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 4, No. 43, November 1965</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Macabre Madness (Eddie Clever)</td> | ||
+ | <td valign=top><div align=right>175</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>No Blood and Guts (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>176</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Sealed-up Sahara (Phil Goldstein)</td> | ||
+ | <td valign=top><div align=right>176</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Ted Annemann (Leslie May)</td> | ||
+ | <td valign=top><div align=right>177</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Mysterear (Ronnie Gann)</td> | ||
+ | <td valign=top><div align=right>177</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Command (North Bigbee)</td> | ||
+ | <td valign=top><div align=right>178</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Slam Bang Card (Joseph White)</td> | ||
+ | <td valign=top><div align=right>178</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 4, No. 44, December 1965</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>The Cut Back (Arthur Monroe)</td> | ||
+ | <td valign=top><div align=right>179</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Del Cartier is That Kind of a Guy (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>180</div></td> | ||
+ | </tr> <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Wizzard's Wassail ("Damon (Bill Madson- Leslie May)</td> | ||
+ | <td valign=top><div align=right> </div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Ted Annemann (Leslie May)</td> | ||
+ | <td valign=top><div align=right>181</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Living Color (Paul Siegel)</td> | ||
+ | <td valign=top><div align=right>181</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Predicta Pop (Jesse Langston)</td> | ||
+ | <td valign=top><div align=right>182</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 4, No. 45, January 1966</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Dominating Dice (Paul Marcus)</td> | ||
+ | <td valign=top><div align=right>183</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Happy New Year ! (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>184</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Ted Annemann (Leslie May)</td> | ||
+ | <td valign=top><div align=right>185</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>A Mental Effect for the Card Men (Tony Kardyro)</td> | ||
+ | <td valign=top><div align=right>185</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Buried Pleasure (Harvey Rosenthal)</td> | ||
+ | <td valign=top><div align=right>186</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 4, No. 46, February 1966</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Stabbed in the Pack (John Benzais)</td> | ||
+ | <td valign=top><div align=right>187</div></td> | ||
+ | </tr> <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>"Be Quiet ( Mr. Fulves !"-Bill Madsen)</td> | ||
+ | <td valign=top><div align=right> </div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Ted Annemann (Leslie May)</td> | ||
+ | <td valign=top><div align=right>189</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Invisible Dice (Ace Gorham)</td> | ||
+ | <td valign=top><div align=right>189</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Back'n Blue (Earl Harvey)</td> | ||
+ | <td valign=top><div align=right>190</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 4, No. 47, March 1966</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Brain Storm (Paul Siegel)</td> | ||
+ | <td valign=top><div align=right>191</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Letter from Steve Trott (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>192</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Solus Intra Percet (Paul Siegel)</td> | ||
+ | <td valign=top><div align=right>192</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Ted Annemann (Leslie May)</td> | ||
+ | <td valign=top><div align=right>193</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Fourthought (Paul Siegel)</td> | ||
+ | <td valign=top><div align=right>193</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Booknow II (Paul Siegel)</td> | ||
+ | <td valign=top><div align=right>194</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 4, No. 48, April 1966</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>The Probable Winner (Tony Kardyro)</td> | ||
+ | <td valign=top><div align=right>195</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Sorcar or not Sorcar (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>196</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>The Mating Game (Phil Goldstein)</td> | ||
+ | <td valign=top><div align=right>196</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Crystal Dazer (Jesse Langston)</td> | ||
+ | <td valign=top><div align=right>196</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Annemann Ted (Leslie May)</td> | ||
+ | <td valign=top><div align=right>197</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Glide-iator (Fernandes Steve)</td> | ||
+ | <td valign=top><div align=right>197</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Immiscibilite (Danny Tong)</td> | ||
+ | <td valign=top><div align=right>198</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 5, No. 49, May 1966</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Juggler & the Black Magician (Tony Shiels)</td> | ||
+ | <td valign=top><div align=right>199</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>5th Year Commencing (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>200</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Tony Shiels</td> | ||
+ | <td valign=top><div align=right>200</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Ted Annemann (Leslie May)</td> | ||
+ | <td valign=top><div align=right>201</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>The Sorcerer's Signature (Tony Shiels)</td> | ||
+ | <td valign=top><div align=right>201</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>The Illustrated Man (Tony Shiels)</td> | ||
+ | <td valign=top><div align=right>201</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Zaggathir (Tony Shiels)</td> | ||
+ | <td valign=top><div align=right>202</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 5, No. 50, June 1966</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Nightmares (Tony Shiels)</td> | ||
+ | <td valign=top><div align=right>203</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Further Reaction to Stabbed in the Pack (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>204</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>A Letter from Harry Lorayne (Harry Lorayne)</td> | ||
+ | <td valign=top><div align=right>204</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Annemann Ted (Leslie May)</td> | ||
+ | <td valign=top><div align=right>205</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>The Monkey's Paw (Tony Shiels)</td> | ||
+ | <td valign=top><div align=right>206</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Xyddatha (Tony Shiels)</td> | ||
+ | <td valign=top><div align=right>206</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 5, No. 51, July 1966</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>L'espionne (Stuart Cramer)</td> | ||
+ | <td valign=top><div align=right>207</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>The Local SAM Magirama (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>208</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Annemann Ted (Leslie May)</td> | ||
+ | <td valign=top><div align=right>209</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Op & Down (Phil Goldstein)</td> | ||
+ | <td valign=top><div align=right>209</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Chosen Mate (Chandler Mason)</td> | ||
+ | <td valign=top><div align=right>210</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 5, No. 52, August 1966</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Beatrick ! (Leslie May)</td> | ||
+ | <td valign=top><div align=right>211</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Not Controversial (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>212</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Annemann Ted (Leslie May)</td> | ||
+ | <td valign=top><div align=right>213</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Tricky Turtles (Joseph White)</td> | ||
+ | <td valign=top><div align=right>214</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Follow-up to Transit Dime (John Benzais)</td> | ||
+ | <td valign=top><div align=right>214</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 5, No. 53, September 1966</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Fire & Ice (Roy Fromer)</td> | ||
+ | <td valign=top><div align=right>215</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Shattering Glass (Roy Fromer)</td> | ||
+ | <td valign=top><div align=right>215</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>The Magic Capitol of the World ? (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>216</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Annemann Ted (Leslie May)</td> | ||
+ | <td valign=top><div align=right>217</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Poor Man's Stabbed in the Pack (Tony Shiels)</td> | ||
+ | <td valign=top><div align=right>217</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Brobdingnagian (Paul Marcus)</td> | ||
+ | <td valign=top><div align=right>218</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 5, No. 54, October 1966</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Annemann's 55 Cent Card Memory (Ted Annemann)</td> | ||
+ | <td valign=top><div align=right>219</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>This Month's Issue is a Fluke (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>220</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Annemann Does a Blinfold Walk</td> | ||
+ | <td valign=top><div align=right>221</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Annemann's Diabolo Pellet Brading (Ted Annemann)</td> | ||
+ | <td valign=top><div align=right>222</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 5, No. 55, November 1966</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>"Will the Real Stabbed in the Pack ( Please Stand Up !"-Harry Lorayne)</td> | ||
+ | <td valign=top><div align=right> </div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>My Final Night at Abbott's Get-Together (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>224</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Mentally Matched (Tony Kardyro)</td> | ||
+ | <td valign=top><div align=right>226</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Stripsation (North Bigbee)</td> | ||
+ | <td valign=top><div align=right>226</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 5, No. 56, December 1966</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>The Professor (Arthur)</td> | ||
+ | <td valign=top><div align=right>227</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Germain the Wizard & 5 Micro-Mental Programs (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>228</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Catnips (Joseph White)</td> | ||
+ | <td valign=top><div align=right>229</div></td> | ||
+ | </tr> <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Psychic Relation ("Damon (Bill Madson- Leslie May)</td> | ||
+ | <td valign=top><div align=right> </div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 5, No. 57, January 1967</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>My Word (Eddie Clever)</td> | ||
+ | <td valign=top><div align=right>231</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>How is Stylesmith ? (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>232</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Catnips (Joseph White)</td> | ||
+ | <td valign=top><div align=right>233</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>An Effect from Tom Evans (Tom Evans)</td> | ||
+ | <td valign=top><div align=right>233</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Signed Sealed (Stylesmith)</td> | ||
+ | <td valign=top><div align=right>234</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>The Lady is a Joker (Steve Fernandes)</td> | ||
+ | <td valign=top><div align=right>234</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 5, No. 58, February 1967</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Secret of Gordius 1 (John Benzais)</td> | ||
+ | <td valign=top><div align=right>235</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>"An Effect that ""Sends"" Me" (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>236</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Secret of Gordius 2 (John Benzais)</td> | ||
+ | <td valign=top><div align=right>238</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Secret of Gordius 3 (John Benzais)</td> | ||
+ | <td valign=top><div align=right>238</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 5, No. 59, March 1967</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Quest of Canor� (Paul Siegel)</td> | ||
+ | <td valign=top><div align=right>239</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>About Lord of the Rings Trilogy (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>240</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Creative Ideation Game (Joseph White)</td> | ||
+ | <td valign=top><div align=right>241</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>The Hemp Eater (Roy Fromer)</td> | ||
+ | <td valign=top><div align=right>241</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>It's Been a Card Day's Night (Phil Goldstein)</td> | ||
+ | <td valign=top><div align=right>242</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Bare Faced (Ronnie Gann)</td> | ||
+ | <td valign=top><div align=right>242</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 5, No. 60, April 1967</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>The Coin of Kibil-Nala (Joseph White)</td> | ||
+ | <td valign=top><div align=right>243</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>13 !!! By Tony Shiels (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>244</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>A Tip on Hip (Felix Greenfield)</td> | ||
+ | <td valign=top><div align=right>244</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Baldpate Revisited (Tony Shiels)</td> | ||
+ | <td valign=top><div align=right>245</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>XNIJ (Tony Shiels)</td> | ||
+ | <td valign=top><div align=right>245</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Tele Coincidence (Danny Tong)</td> | ||
+ | <td valign=top><div align=right>246</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Triangle Book Test (Danny Tong)</td> | ||
+ | <td valign=top><div align=right>246</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 6, No. 61, May 1967</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Mutare Take 5 (Phil Goldstein)</td> | ||
+ | <td valign=top><div align=right>247</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>The Show Case by Ace Gorham (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>248</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Phil Goldstein</td> | ||
+ | <td valign=top><div align=right>248</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>The Little Palmed Card that Wasn't (Phil Goldstein)</td> | ||
+ | <td valign=top><div align=right>249</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Cutting Odds Down Cigarette Style (Phil Goldstein)</td> | ||
+ | <td valign=top><div align=right>249</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Piper (Phil Goldstein)</td> | ||
+ | <td valign=top><div align=right>249</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>At the Stake (Phil Goldstein)</td> | ||
+ | <td valign=top><div align=right>250</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Concentration Conception (Phil Goldstein)</td> | ||
+ | <td valign=top><div align=right>250</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 6, No. 62, June 1967</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Jinx-in at ft. Cornwall</td> | ||
+ | <td valign=top><div align=right>251</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Letter from Clayton Rawson (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>252</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Creative Ideation Game (Joseph White)</td> | ||
+ | <td valign=top><div align=right>253</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Tic Tac Toc Magic (Earl Keyser)</td> | ||
+ | <td valign=top><div align=right>253</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>You Find One ! (David Bornstein)</td> | ||
+ | <td valign=top><div align=right>254</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Ad-denda (Paul Siegel)</td> | ||
+ | <td valign=top><div align=right>254</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 6, No. 63, July 1967</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Not Yet (Roy Fromer)</td> | ||
+ | <td valign=top><div align=right>255</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>The Fun City 1 (Roy Fromer)</td> | ||
+ | <td valign=top><div align=right>255</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>The Fun City 2 (Roy Fromer)</td> | ||
+ | <td valign=top><div align=right>255</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Avocation (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>256</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Roy Fromer</td> | ||
+ | <td valign=top><div align=right>256</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>She (Roy Fromer)</td> | ||
+ | <td valign=top><div align=right>257</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Nicked (Roy Fromer)</td> | ||
+ | <td valign=top><div align=right>257</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Stilts (Roy Fromer)</td> | ||
+ | <td valign=top><div align=right>257</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>The Tale of Count Magnus (Roy Fromer)</td> | ||
+ | <td valign=top><div align=right>258</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 6, No. 64, August 1967</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>The Fever (Earl Keyser)</td> | ||
+ | <td valign=top><div align=right>259</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Adytum (Tony Kardyro)</td> | ||
+ | <td valign=top><div align=right>259</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Mea Culpa (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>260</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Creativity (Joseph White)</td> | ||
+ | <td valign=top><div align=right>261</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Unveiled Baby ! (Roy Fromer)</td> | ||
+ | <td valign=top><div align=right>261</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Captured (Steve Fernandes)</td> | ||
+ | <td valign=top><div align=right>262</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Reciprocity (Steve Fernandes)</td> | ||
+ | <td valign=top><div align=right>262</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Penard (Steve Fernandes)</td> | ||
+ | <td valign=top><div align=right>262</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Easy Card Rise (Steve Fernandes)</td> | ||
+ | <td valign=top><div align=right>262</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 6, No. 65, September 1967</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Night of the Demon (Tony Shiels)</td> | ||
+ | <td valign=top><div align=right>263</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Red Devil (Tony Shiels)</td> | ||
+ | <td valign=top><div align=right>263</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Ted Serios (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>264</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>A Simple Card Vanish (Joseph White)</td> | ||
+ | <td valign=top><div align=right>265</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Predict & Transpo (Joseph White)</td> | ||
+ | <td valign=top><div align=right>265</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Hobgoblin (Tony Shiels)</td> | ||
+ | <td valign=top><div align=right>266</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 6, No. 66, October 1967</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Tres Ingenus (Joseph White)</td> | ||
+ | <td valign=top><div align=right>267</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Muirotide (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>268</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Memo (WR Harding)</td> | ||
+ | <td valign=top><div align=right>269</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Irv's Bill Tear (Irv Weiner)</td> | ||
+ | <td valign=top><div align=right>270</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 6, No. 67, November 1967</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Psychic Princess 1 (Danny Tong)</td> | ||
+ | <td valign=top><div align=right>271</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Psychic Princess 2 (Danny Tong)</td> | ||
+ | <td valign=top><div align=right>271</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Reaction to Mirror Issue (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>272</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Telekinetic Perception (Danny Tong)</td> | ||
+ | <td valign=top><div align=right>272</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Cheese ! (John Howie)</td> | ||
+ | <td valign=top><div align=right>273</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Spectator ESP (Danny Tong)</td> | ||
+ | <td valign=top><div align=right>273</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Magic vs ESP (Danny Tong)</td> | ||
+ | <td valign=top><div align=right>274</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Odd Men Out (Danny Tong)</td> | ||
+ | <td valign=top><div align=right>274</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 6, No. 68, December 1967</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>The Creatitudes (Joseph White)</td> | ||
+ | <td valign=top><div align=right>275</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Letter from Arthur Monroe (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>276</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>The Santa Sleeper (Al Forgione)</td> | ||
+ | <td valign=top><div align=right>276</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Effects Using the Commando 1 (Danny Tong)</td> | ||
+ | <td valign=top><div align=right>277</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Effects Using the Commando 2 (Danny Tong)</td> | ||
+ | <td valign=top><div align=right>277</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Two Pins & the Kerchief (Danny Tong)</td> | ||
+ | <td valign=top><div align=right>277</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Spelldown (Arthur Monroe)</td> | ||
+ | <td valign=top><div align=right>278</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 6, No. 69, January 1968</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Charon's Fare (Earl Harvey)</td> | ||
+ | <td valign=top><div align=right>279</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Reaction (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>280</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Notebook (Joseph White)</td> | ||
+ | <td valign=top><div align=right>281</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Magic Spell (Paul Marcus)</td> | ||
+ | <td valign=top><div align=right>282</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Ace Thru Five (Steve Fernandes)</td> | ||
+ | <td valign=top><div align=right>282</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 6, No. 70, February 1968</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Dabbling with Daub (Irv Weiner)</td> | ||
+ | <td valign=top><div align=right>283</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Herman Hanson (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>284</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Cheese Again ! (Phil Goldstein)</td> | ||
+ | <td valign=top><div align=right>285</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 6, No. 71, March 1968</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Eight to Remember (Joseph White)</td> | ||
+ | <td valign=top><div align=right>287</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Next to Closing (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>288</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Bill in Egg (Joseph White)</td> | ||
+ | <td valign=top><div align=right>289</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Book Test a la Carte (Joseph White)</td> | ||
+ | <td valign=top><div align=right>290</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Which Hand ? (Joseph White)</td> | ||
+ | <td valign=top><div align=right>290</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top colspan=2><strong><u>Vol. 6, No. 72, April 1968</u></strong></td> | ||
+ | <td valign=top width=25> </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>The DT Blinfold (Danny Tong)</td> | ||
+ | <td valign=top><div align=right>291</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>My Last Editorial (Bill Madsen)</td> | ||
+ | <td valign=top><div align=right>293</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>The Walh's Appearing Cane (Joseph White)</td> | ||
+ | <td valign=top><div align=right>295</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Poof ! (David Hoy)</td> | ||
+ | <td valign=top><div align=right>295</div></td> | ||
+ | </tr><tr> | ||
+ | <td valign=top width=25> </td> | ||
+ | <td valign=top>Perception in Prose (Danny Tong)</td> | ||
+ | <td valign=top><div align=right>296</div></td> | ||
+ | </tr></table> | ||
+ | |||
[[Category:Periodicals]] | [[Category:Periodicals]] | ||
[[Category:NeedSampleImage]] | [[Category:NeedSampleImage]] |
Revision as of 16:32, 4 February 2009
New Jinx was a monthly Magic Periodical for stage mentalists and magicians that followed years after Theodore Annemann's Jinx by Bill Madsen. It ran from May 1962 until March for 72 issues. It was published by Holden's Magic.
Madsen used the pen-name of Arlecchino as the editor.
Contents
April 1962 | ||
The First Copy of the New Jinx (Madsen Bill) | 1 |
|
Foreign Exchange (Lynn Martin) | 1 |
|
Prediction de Luxe (Madsen Bill) | 2 |
|
Ro-pin | 3 |
|
Balancia | 3 |
|
The Camel & the Needle's Eye (Clayton Rawon) | 4 |
|
Vol. 1, No. 1, May 1962 | ||
Joe Korengo (Jozsef Elsinger) | 1 |
|
Moon Flight (Joe Korengo) | 2 |
|
Everyman's Vanishing Cane (Joe Korengo) | 2 |
|
Good Old Days and Today (Bill Madsen) | 3 |
|
Comedy Candle to Flower | 4 |
|
The Creepy Hank | 4 |
|
Ten & One (Jack Vosburgh) | 4 |
|
Vol. 1, No. 2, June 1962 | ||
Card in the Soup (Martin Lynn) | 5 |
|
Things Are Getting Better All the Time (Bill Madsen) | 6 |
|
Thimbleitis | 6 |
|
The Twist Color Change (Martin Lynn) | 7 |
|
A Crooked Deck | 8 |
|
The Snake in the Turban | 8 |
|
One Little Word (Albert Sidney) | 8 |
|
Vol. 1, No. 3, July 1962 | ||
Come Fill the Cup (Martin Lynn) | 9 |
|
First Critic (Bill Madsen) | 10 |
|
The Coin in the Funnel | 10 |
|
The Devil's Die Secret (Paul Rosini) | 11 |
|
Sacrifice (Martin Lynn) | 12 |
|
Vol. 1, No. 4, August 1962 | ||
Senor Torino (Tony Kardyro) | 13 |
|
Editorial Subjects (Bill Madsen) | 14 |
|
Parallel Thoughts (Ted Annemann) | 15 |
|
The Invisible Trip (Tony Kardyro) | 16 |
|
Vol. 1, No. 5, September 1962 | ||
Rabbit Monte (Martin Lynn) | 17 |
|
An Editor's Dream (Bill Madsen) | 18 |
|
Familiar Spirit (Kent Arthur) | 19 |
|
Cardivino (North Bigbee) | 20 |
|
Vol. 1, No. 6, October 1962 | ||
Food for Thought (Irv Weiner) | 21 |
|
Conspiracy of Silence (Bill Madsen) | 22 |
|
The So Simple Force (Lynn Searles) | 22 |
|
Irving Weiner | 23 |
|
The Impressive Moderne (Ted Annemann) | 24 |
|
Irv's Crimp Control (Irv Weiner) | 25 |
|
The Prophet's Beard (Irv Weiner-Ray Hyman) | 26 |
|
Vol. 1, No. 7, November 1962 | ||
Bestop (Stewart James) | 27 |
|
Pro and Con (Bill Madsen) | 28 |
|
An Open Letter to Eddie Clever (Bill Madsen) | 28 |
|
A Divination with Matches (Fred DeMuth) | 29 |
|
Copper & Silver (Edward Marlo) | 30 |
|
Vol. 1, No. 8, December 1962 | ||
Tribute (Gene Maze) | 31 |
|
New Contributors (Bill Madsen) | 32 |
|
White Magic (North Bigbee) | 32 |
|
Count Down (Montgomery Crowe) | 33 |
|
Jinx ZipperCcocktail (Ted Annemann) | 33 |
|
The Monroe Doctrine (Arthur Monroe) | 34 |
|
Vol. 1, No. 9, January 1963 | ||
JB Bobo | 35 |
|
To Thank Each One in Person (Bill Madsen) | 36 |
|
Change in the Spectator's Hand (JB Bobo) | 37 |
|
Come & Coin Go (JB Bobo) | 38 |
|
Thru-pocket Vanish (JB Bobo) | 39 |
|
Wise Guy Catch (S. Wimbrough) | 39 |
|
Etheral Silk (JB Bobo) | 40 |
|
Vol. 1, No. 10, February 1963 | ||
Alphabet Telepathy (North Bigbee) | 41 |
|
Holden's Magic Shop (Bill Madsen) | 42 |
|
Applause Card (Herb Runge) | 43 |
|
Toss off (Elwin Shaw) | 43 |
|
Lock & Key (Hen Fetsch) | 44 |
|
Vol. 1, No. 11, March 1963 | ||
Tele Tact (Danny Tong) | 45 |
|
Danny Tong (Bill Madsen) | 46 |
|
Vari-mental (Danny Tong) | 46 |
|
Danny Tony | 47 |
|
Tugudtoname (Danny Tong) | 47 |
|
Prognostica (Danny Tong) | 48 |
|
Commando ! (Danny Tong) | 48 |
|
The Mutilated Card (Russell Prunier) | 49 |
|
Double-back Doublecross (Danny Tong) | 50 |
|
Vol. 1, No. 12, April 1963 | ||
Crazy Huh ? (Irv Weiner) | 51 |
|
The First Year of the New Jinx (Bill Madsen) | 52 |
|
Hypnosis (Al Forgione) | 52 |
|
No'men-cla'ture (Joseph Dunninger) | 52 |
|
Dark Vision (North Bigbee) | 53 |
|
X Change (Tony Kardyro) | 54 |
|
Vol. 2, No. 13, May 1963 | ||
Biblical Numbers (Ace Gorham) | 55 |
|
Cat-A-Tonic Cocktail (Bill Madsen) | 56 |
|
Im-pr�ve'ment (Leslie May) | 56 |
|
Paying it Safe (Ace Gorham) | 57 |
|
Ace Gorham | 57 |
|
A Reverse Thought (Ace Gorham) | 58 |
|
Three Way Mentalism (Ace Gorham) | 58 |
|
Stop ! (Ace Gorham) | 58 |
|
Vol. 2, No. 14, June 1963 | ||
Witch Doctor's Ritual (Felix Greenfield) | 59 |
|
No Pro File (Madsen Bill) | 60 |
|
Extra Special Prediction (Felix Greenfield) | 61 |
|
A 68 Cent Patent (Ted Annemann) | 61 |
|
Impossible Prediction (Felix Greenfield) | 62 |
|
Read my Mind ! (Felix Greenfield) | 62 |
|
Vol. 2, No. 15, July 1963 | ||
Fortunatas (Edward Marlo) | 63 |
|
Lou Tannen's 4th Jubilee in Fallsburg (Bill Madsen) | 64 |
|
Card Gag (Gerald Kosky) | 64 |
|
The Great Chain Robbery (Larry Weeks) | 65 |
|
Hypocritical Memory (Arthur Monroe) | 66 |
|
Untitled (Danny Tong) | 66 |
|
Vol. 2, No. 16, August 1963 | ||
True Love (Felix Greenfield) | 67 |
|
Variation ? (Bill Madsen) | 68 |
|
Bell Book & Candle (Felix Greenfield) | 69 |
|
Fourth Dimensional Sewing (Vosburgh Lyons) | 70 |
|
Vol. 2, No. 17, September 1963 | ||
What the ? (Ronnie Gann) | 71 |
|
Is There Some Sort of Local Conspiracy ? (Bill Madsen) | 72 |
|
Ronnie Gann | 72 |
|
Duplex Date Reading (Charles T. Jordan) | 73 |
|
Coin-A-Matic (Ronnie Gann) | 73 |
|
Matchic (Ronnie Gann) | 74 |
|
Penetracig (Ronnie Gann) | 74 |
|
Vol. 2, No. 18, October 1963 | ||
Beyong Belief (Irv Weiner) | 75 |
|
The Unmasking of Arlecchino (Bill Madsen) | 76 |
|
Dark Sorcery (Albert Sidney) | 76 |
|
Novel Reading (Danny Tong) | 77 |
|
Jumbo Prediction (North Bigbee) | 78 |
|
Vol. 2, No. 19, November 1963 | ||
Person to Person (Leslie May) | 79 |
|
Edge of the Coin (Bill Madsen) | 80 |
|
Leslie May | 81 |
|
It's in the Book (Leslie May) | 81 |
|
The Jinx Five-foot Shelf of Magic (Ted Annemann) | 81 |
|
Lucky Lips (Leslie May) | 82 |
|
This That Those (May Leslie) | 82 |
|
Vol. 2, No. 20, December 1963 | ||
Boston I.B.M.'s First Magicana (Bill Madsen) | 84 |
|
Jinx Blazer (Ted Annemann) | 84 |
|
Hart Throbs (Arthur Monroe) | 85 |
|
Little Theatre (Arthur Monroe) | 86 |
|
Vol. 2, No. 21, January 1964 | ||
Divining Rods (Milbourne Christopher) | 87 |
|
To Forgive the Unforgiveable (Bill Madsen) | 88 |
|
New Look for Mentalists (Larry Weeks) | 89 |
|
Tram Card (BB Low) | 89 |
|
Behind my Back (Tony Kardyro) | 90 |
|
Vol. 2, No. 22, February 1964 | ||
Lo ! A Prophet (Eddie Clever) | 91 |
|
An Observation from Micky Hades (Bill Madsen) | 92 |
|
Eddie Clever | 92 |
|
7 + Psychic = Doubled (Eddie Clever) | 94 |
|
Vol. 2, No. 23, March 1964 | ||
Figure Fantasy (Jack Vosburgh) | 95 |
|
Imagination (Bill Madsen) | 96 |
|
"Time ( You & Another"-Eddie Clever) | ||
Prediction (Sid Lorraine) | 97 |
|
Shadows Before (Eddie Clever) | 98 |
|
Vol. 2, No. 24, April 1964 | ||
Prophesycic (North Bigbee) | 99 |
|
Quantity Sometimes Threatens Quality (Bill Madsen) | 100 |
|
Ribbon of Eurus (Rudy Reimer) | 100 |
|
Kort's 4th (Milton Kort) | 101 |
|
It's About Time (Ronnie Gann) | 102 |
|
Vol. 3, No. 25, May 1964 | ||
A Nest of Boxes Routine (Ace Gorham) | 103 |
|
Thought Waiver (Ace Gorham) | 103 |
|
We Begin our Third Year (Bill Madsen) | 104 |
|
Addendum (Max Katz) | 105 |
|
Windu Dream (Henry Hardin) | 105 |
|
A Cue for You & a Cue for Me (Tony Kardyro) | 106 |
|
Vol. 3, No. 26, June 1964 | ||
Paradiscophy (David Hoy) | 107 |
|
It Has To Be Seen To Be Depreciated (Bill Madsen) | 108 |
|
Pen kink (Martin Gardner) | 108 |
|
Apologia (David Hoy) | 109 |
|
David Hoy | 110 |
|
Easy Way Out (David Hoy) | 110 |
|
Vol. 3, No. 27, July 1964 | ||
Sly max (Irv Weiner) | 111 |
|
Lou Tannen's 5th Magician's Jubilee (Bill Madsen) | 112 |
|
Penetration (Arthur Bagshaw) | 113 |
|
Uno Fa Otto (Irv Weiner) | 114 |
|
Vol. 3, No. 28, August 1964 | ||
Spectra-ception (Paul Siegel) | 115 |
|
The Gost of a Chance (Otis Manning) | 116 |
|
Dermo-Optic Perception (Bill Madsen) | 117 |
|
Two Needles in a Haystack (Montgomery Crowe) | 117 |
|
Frame of Mind (Paul Siegel) | 118 |
|
Psychocolor (North Bigbee) | 118 |
|
Vol. 3, No. 29, September 1964 | ||
Thoughts in Two Sizes (Leslie May) | 119 |
|
Guest of Howie Schwarzman (Bill Madsen) | 120 |
|
Vanishing Wand Presentation (JA Sheterom) | 120 |
|
Outer Limit (Mae Forgione) | 121 |
|
Psychologia (Ken Krenzel) | 121 |
|
Lodestone (Arthur Monroe) | 122 |
|
Vol. 3, No. 30, October 1964 | ||
Norman's Ark ("JG Thompson- Jr.") | ||
Letter from Walt Rollins (Bill Madsen) | 124 |
|
More On (Danny Tong) | 125 |
|
Witchwood (Ken De Courcy) | 125 |
|
Evaporato (Otto Waldmann) | 125 |
|
Menetekel Deck (Newmann George) | 126 |
|
Vol. 3, No. 31, November 1964 | ||
Transit Dime (John Benzais) | 127 |
|
Transit Ring (John Benzais) | 127 |
|
Letter from Bob Nelson (Bill Madsen) | 128 |
|
"Your Life ( your Phone"-Montgomery Crowe) | ||
Poker Challenge (Gerald Kaufman) | 129 |
|
Arithmetical Progression (Max Katz) | 129 |
|
Super Numerary (Ken Krenzel) | 130 |
|
Vol. 3, No. 32, December 1964 | ||
Three Card Money (Arthur Monroe) | 131 |
|
Our Third Christmas Issue (Bill Madsen) | 132 |
|
The Psycho-Phone | 133 |
|
Solution to Arithmetical Progression (Max Katz) | 133 |
|
Elliott Humor (Bruce Elliott) | 133 |
|
Impromptu Mene-tekel (North Bigbee) | 134 |
|
Vol. 3, No. 33, January 1965 | ||
Card in Wallet (John Benzais) | 135 |
|
Letter from John Benzais (Bill Madsen) | 136 |
|
King of the Conjurers (Jean-Eug�ne Robert-Houdin) | 136 |
|
Comedy Mentalism V3 (Bob Nelson) | 136 |
|
John Benzais | 137 |
|
Five Cent for your Thoughts (John Benzais) | 137 |
|
4-D Ball Trick (John Benzais) | 138 |
|
Vol. 3, No. 34, February 1965 | ||
Booknow (Paul Siegel) | 139 |
|
The Wonderful Damon (Bill Madsen) | 140 |
|
Lapping a Card (John Benzais) | 141 |
|
The Crimped Card Location (John Benzais) | 141 |
|
Extra Spectra Mental (Leslie May) | 142 |
|
Vol. 3, No. 35, March 1965 | ||
Psychic Spell (Felix Greenfield) | 143 |
|
Telekinesis (Felix Greenfield) | 143 |
|
Has Al Stevenson ESP ? (Bill Madsen) | 144 |
|
Mentalistrix (Maurice (Cohen Morris)) | 144 |
|
Psychic & Other ESP Party (David Hoy) | 144 |
|
Die-abolical Concept (Felix Greenfield) | 145 |
|
The Time Will Come (Felix Greenfield) | 145 |
|
"One Finger ( one Hand Right Hand Billet Switch"-Felix Greenfield) | ||
Certificat (Bill Madsen) | 146 |
|
Vol. 3, No. 36, April 1965 | ||
Vates Sacer (Paul Siegel) | 147 |
|
I.B.M. Does Not Permit Criticism in The Linking Ring (Bill Madsen) | 148 |
|
Siegel Paul (Bill Madsen) | 148 |
|
Mystery of Eleusis (Paul Siegel) | 149 |
|
Talismans of Pelazon (Paul Siegel) | 150 |
|
Vol. 4, No. 37, May 1965 | ||
Out of my Control (Harry Lorayne) | 151 |
|
The Annual Boston Magirama (Bill Madsen) | 152 |
|
The Real Secret of Peeling Cards (John Benzais) | 154 |
|
Stranger Interlude (North Bigbee) | 154 |
|
Vol. 4, No. 38, June 1965 | ||
Ydalir (Max Katz) | 155 |
|
The Jumping Frog (Bill Madsen) | 156 |
|
Sandstorm (John Benzais) | 157 |
|
Assassination (Jesse Langston) | 157 |
|
Propelled Lapping (Edward Marlo-Carmen D'Amico) | 158 |
|
Propelled Coincidence (Edward Marlo-Carmen D'Amico) | 158 |
|
Vol. 4, No. 39, July 1965 | ||
ESPell (Leslie May) | 159 |
|
Lou Tannen's 6th Magician's Jubilee (Bill Madsen) | 160 |
|
Annemann Ted (Leslie May) | 161 |
|
Catnips (Joseph White) | 161 |
|
Silksation ("Damon (Bill Madson- Leslie May) | ||
Vol. 4, No. 40, August 1965 | ||
Headline Vision (Milbourne Christopher) | 163 |
|
The Playboy Mag of the Magic World (Bill Madsen) | 164 |
|
Annemann Ted (Leslie May) | 165 |
|
Nuchromancy (Richard Koester) | 166 |
|
On the Mat (Larry Weeks) | 166 |
|
Vol. 4, No. 41, September 1965 | ||
ESP Mania (Danny Tong) | 167 |
|
Do as I do ESP (Danny Tong) | 167 |
|
A Book By and About the Bamberg (Bill Madsen) | 168 |
|
Questioneer (Danny Tong) | 168 |
|
Annemann Ted (Leslie May) | 169 |
|
ESPeriments (Danny Tong) | 169 |
|
Thumb Nail Sketches 1 (Danny Tong) | 169 |
|
Thumb Nail Sketches 2 (Danny Tong) | 169 |
|
Telecodes (Danny Tong) | 170 |
|
ESP Stop (Danny Tong) | 170 |
|
Vol. 4, No. 42, October 1965 | ||
Bennu (Joseph White) | 171 |
|
Reply to Mr. Fulves (Bill Madsen) | 172 |
|
Card Party (Ned Rutledge-JG Thompson) | 172 |
|
The Amateur Magician's Handbook (r��dition) (Henry Hay (June Barrows Mussey)) | 172 |
|
Joseph White | 172 |
|
Magic for Heaven's Sake (Joseph White) | 172 |
|
Annemann Ted (Leslie May) | 173 |
|
Tape Palmed Billet (Joseph White) | 173 |
|
Tagliostro (Joseph White) | 174 |
|
Cutting Odds Down (Joseph White) | 174 |
|
Vol. 4, No. 43, November 1965 | ||
Macabre Madness (Eddie Clever) | 175 |
|
No Blood and Guts (Bill Madsen) | 176 |
|
Sealed-up Sahara (Phil Goldstein) | 176 |
|
Ted Annemann (Leslie May) | 177 |
|
Mysterear (Ronnie Gann) | 177 |
|
Command (North Bigbee) | 178 |
|
Slam Bang Card (Joseph White) | 178 |
|
Vol. 4, No. 44, December 1965 | ||
The Cut Back (Arthur Monroe) | 179 |
|
Del Cartier is That Kind of a Guy (Bill Madsen) | 180 |
|
Wizzard's Wassail ("Damon (Bill Madson- Leslie May) | ||
Ted Annemann (Leslie May) | 181 |
|
Living Color (Paul Siegel) | 181 |
|
Predicta Pop (Jesse Langston) | 182 |
|
Vol. 4, No. 45, January 1966 | ||
Dominating Dice (Paul Marcus) | 183 |
|
Happy New Year ! (Bill Madsen) | 184 |
|
Ted Annemann (Leslie May) | 185 |
|
A Mental Effect for the Card Men (Tony Kardyro) | 185 |
|
Buried Pleasure (Harvey Rosenthal) | 186 |
|
Vol. 4, No. 46, February 1966 | ||
Stabbed in the Pack (John Benzais) | 187 |
|
"Be Quiet ( Mr. Fulves !"-Bill Madsen) | ||
Ted Annemann (Leslie May) | 189 |
|
Invisible Dice (Ace Gorham) | 189 |
|
Back'n Blue (Earl Harvey) | 190 |
|
Vol. 4, No. 47, March 1966 | ||
Brain Storm (Paul Siegel) | 191 |
|
Letter from Steve Trott (Bill Madsen) | 192 |
|
Solus Intra Percet (Paul Siegel) | 192 |
|
Ted Annemann (Leslie May) | 193 |
|
Fourthought (Paul Siegel) | 193 |
|
Booknow II (Paul Siegel) | 194 |
|
Vol. 4, No. 48, April 1966 | ||
The Probable Winner (Tony Kardyro) | 195 |
|
Sorcar or not Sorcar (Bill Madsen) | 196 |
|
The Mating Game (Phil Goldstein) | 196 |
|
Crystal Dazer (Jesse Langston) | 196 |
|
Annemann Ted (Leslie May) | 197 |
|
Glide-iator (Fernandes Steve) | 197 |
|
Immiscibilite (Danny Tong) | 198 |
|
Vol. 5, No. 49, May 1966 | ||
Juggler & the Black Magician (Tony Shiels) | 199 |
|
5th Year Commencing (Bill Madsen) | 200 |
|
Tony Shiels | 200 |
|
Ted Annemann (Leslie May) | 201 |
|
The Sorcerer's Signature (Tony Shiels) | 201 |
|
The Illustrated Man (Tony Shiels) | 201 |
|
Zaggathir (Tony Shiels) | 202 |
|
Vol. 5, No. 50, June 1966 | ||
Nightmares (Tony Shiels) | 203 |
|
Further Reaction to Stabbed in the Pack (Bill Madsen) | 204 |
|
A Letter from Harry Lorayne (Harry Lorayne) | 204 |
|
Annemann Ted (Leslie May) | 205 |
|
The Monkey's Paw (Tony Shiels) | 206 |
|
Xyddatha (Tony Shiels) | 206 |
|
Vol. 5, No. 51, July 1966 | ||
L'espionne (Stuart Cramer) | 207 |
|
The Local SAM Magirama (Bill Madsen) | 208 |
|
Annemann Ted (Leslie May) | 209 |
|
Op & Down (Phil Goldstein) | 209 |
|
Chosen Mate (Chandler Mason) | 210 |
|
Vol. 5, No. 52, August 1966 | ||
Beatrick ! (Leslie May) | 211 |
|
Not Controversial (Bill Madsen) | 212 |
|
Annemann Ted (Leslie May) | 213 |
|
Tricky Turtles (Joseph White) | 214 |
|
Follow-up to Transit Dime (John Benzais) | 214 |
|
Vol. 5, No. 53, September 1966 | ||
Fire & Ice (Roy Fromer) | 215 |
|
Shattering Glass (Roy Fromer) | 215 |
|
The Magic Capitol of the World ? (Bill Madsen) | 216 |
|
Annemann Ted (Leslie May) | 217 |
|
Poor Man's Stabbed in the Pack (Tony Shiels) | 217 |
|
Brobdingnagian (Paul Marcus) | 218 |
|
Vol. 5, No. 54, October 1966 | ||
Annemann's 55 Cent Card Memory (Ted Annemann) | 219 |
|
This Month's Issue is a Fluke (Bill Madsen) | 220 |
|
Annemann Does a Blinfold Walk | 221 |
|
Annemann's Diabolo Pellet Brading (Ted Annemann) | 222 |
|
Vol. 5, No. 55, November 1966 | ||
"Will the Real Stabbed in the Pack ( Please Stand Up !"-Harry Lorayne) | ||
My Final Night at Abbott's Get-Together (Bill Madsen) | 224 |
|
Mentally Matched (Tony Kardyro) | 226 |
|
Stripsation (North Bigbee) | 226 |
|
Vol. 5, No. 56, December 1966 | ||
The Professor (Arthur) | 227 |
|
Germain the Wizard & 5 Micro-Mental Programs (Bill Madsen) | 228 |
|
Catnips (Joseph White) | 229 |
|
Psychic Relation ("Damon (Bill Madson- Leslie May) | ||
Vol. 5, No. 57, January 1967 | ||
My Word (Eddie Clever) | 231 |
|
How is Stylesmith ? (Bill Madsen) | 232 |
|
Catnips (Joseph White) | 233 |
|
An Effect from Tom Evans (Tom Evans) | 233 |
|
Signed Sealed (Stylesmith) | 234 |
|
The Lady is a Joker (Steve Fernandes) | 234 |
|
Vol. 5, No. 58, February 1967 | ||
Secret of Gordius 1 (John Benzais) | 235 |
|
"An Effect that ""Sends"" Me" (Bill Madsen) | 236 |
|
Secret of Gordius 2 (John Benzais) | 238 |
|
Secret of Gordius 3 (John Benzais) | 238 |
|
Vol. 5, No. 59, March 1967 | ||
Quest of Canor� (Paul Siegel) | 239 |
|
About Lord of the Rings Trilogy (Bill Madsen) | 240 |
|
Creative Ideation Game (Joseph White) | 241 |
|
The Hemp Eater (Roy Fromer) | 241 |
|
It's Been a Card Day's Night (Phil Goldstein) | 242 |
|
Bare Faced (Ronnie Gann) | 242 |
|
Vol. 5, No. 60, April 1967 | ||
The Coin of Kibil-Nala (Joseph White) | 243 |
|
13 !!! By Tony Shiels (Bill Madsen) | 244 |
|
A Tip on Hip (Felix Greenfield) | 244 |
|
Baldpate Revisited (Tony Shiels) | 245 |
|
XNIJ (Tony Shiels) | 245 |
|
Tele Coincidence (Danny Tong) | 246 |
|
Triangle Book Test (Danny Tong) | 246 |
|
Vol. 6, No. 61, May 1967 | ||
Mutare Take 5 (Phil Goldstein) | 247 |
|
The Show Case by Ace Gorham (Bill Madsen) | 248 |
|
Phil Goldstein | 248 |
|
The Little Palmed Card that Wasn't (Phil Goldstein) | 249 |
|
Cutting Odds Down Cigarette Style (Phil Goldstein) | 249 |
|
Piper (Phil Goldstein) | 249 |
|
At the Stake (Phil Goldstein) | 250 |
|
Concentration Conception (Phil Goldstein) | 250 |
|
Vol. 6, No. 62, June 1967 | ||
Jinx-in at ft. Cornwall | 251 |
|
Letter from Clayton Rawson (Bill Madsen) | 252 |
|
Creative Ideation Game (Joseph White) | 253 |
|
Tic Tac Toc Magic (Earl Keyser) | 253 |
|
You Find One ! (David Bornstein) | 254 |
|
Ad-denda (Paul Siegel) | 254 |
|
Vol. 6, No. 63, July 1967 | ||
Not Yet (Roy Fromer) | 255 |
|
The Fun City 1 (Roy Fromer) | 255 |
|
The Fun City 2 (Roy Fromer) | 255 |
|
Avocation (Bill Madsen) | 256 |
|
Roy Fromer | 256 |
|
She (Roy Fromer) | 257 |
|
Nicked (Roy Fromer) | 257 |
|
Stilts (Roy Fromer) | 257 |
|
The Tale of Count Magnus (Roy Fromer) | 258 |
|
Vol. 6, No. 64, August 1967 | ||
The Fever (Earl Keyser) | 259 |
|
Adytum (Tony Kardyro) | 259 |
|
Mea Culpa (Bill Madsen) | 260 |
|
Creativity (Joseph White) | 261 |
|
Unveiled Baby ! (Roy Fromer) | 261 |
|
Captured (Steve Fernandes) | 262 |
|
Reciprocity (Steve Fernandes) | 262 |
|
Penard (Steve Fernandes) | 262 |
|
Easy Card Rise (Steve Fernandes) | 262 |
|
Vol. 6, No. 65, September 1967 | ||
Night of the Demon (Tony Shiels) | 263 |
|
Red Devil (Tony Shiels) | 263 |
|
Ted Serios (Bill Madsen) | 264 |
|
A Simple Card Vanish (Joseph White) | 265 |
|
Predict & Transpo (Joseph White) | 265 |
|
Hobgoblin (Tony Shiels) | 266 |
|
Vol. 6, No. 66, October 1967 | ||
Tres Ingenus (Joseph White) | 267 |
|
Muirotide (Bill Madsen) | 268 |
|
Memo (WR Harding) | 269 |
|
Irv's Bill Tear (Irv Weiner) | 270 |
|
Vol. 6, No. 67, November 1967 | ||
Psychic Princess 1 (Danny Tong) | 271 |
|
Psychic Princess 2 (Danny Tong) | 271 |
|
Reaction to Mirror Issue (Bill Madsen) | 272 |
|
Telekinetic Perception (Danny Tong) | 272 |
|
Cheese ! (John Howie) | 273 |
|
Spectator ESP (Danny Tong) | 273 |
|
Magic vs ESP (Danny Tong) | 274 |
|
Odd Men Out (Danny Tong) | 274 |
|
Vol. 6, No. 68, December 1967 | ||
The Creatitudes (Joseph White) | 275 |
|
Letter from Arthur Monroe (Bill Madsen) | 276 |
|
The Santa Sleeper (Al Forgione) | 276 |
|
Effects Using the Commando 1 (Danny Tong) | 277 |
|
Effects Using the Commando 2 (Danny Tong) | 277 |
|
Two Pins & the Kerchief (Danny Tong) | 277 |
|
Spelldown (Arthur Monroe) | 278 |
|
Vol. 6, No. 69, January 1968 | ||
Charon's Fare (Earl Harvey) | 279 |
|
Reaction (Bill Madsen) | 280 |
|
Notebook (Joseph White) | 281 |
|
Magic Spell (Paul Marcus) | 282 |
|
Ace Thru Five (Steve Fernandes) | 282 |
|
Vol. 6, No. 70, February 1968 | ||
Dabbling with Daub (Irv Weiner) | 283 |
|
Herman Hanson (Bill Madsen) | 284 |
|
Cheese Again ! (Phil Goldstein) | 285 |
|
Vol. 6, No. 71, March 1968 | ||
Eight to Remember (Joseph White) | 287 |
|
Next to Closing (Bill Madsen) | 288 |
|
Bill in Egg (Joseph White) | 289 |
|
Book Test a la Carte (Joseph White) | 290 |
|
Which Hand ? (Joseph White) | 290 |
|
Vol. 6, No. 72, April 1968 | ||
The DT Blinfold (Danny Tong) | 291 |
|
My Last Editorial (Bill Madsen) | 293 |
|
The Walh's Appearing Cane (Joseph White) | 295 |
|
Poof ! (David Hoy) | 295 |
|
Perception in Prose (Danny Tong) | 296 |