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Difference between revisions of "Sam Grossman"
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− | '''Sam Grossman''' performed mentalism and mindreading at private parties, clubs, and at homes of the elite, as a professional entertainer. | + | '''Sam Grossman''' (fl. 1930s) performed mentalism and mindreading at private parties, clubs, and at homes of the elite, as a professional entertainer. |
+ | == Biography == | ||
Interested in magic since 1917, Grossman determined to be a mentalist after witnessing a performance by [[Dunninger]] at the old Palace Theatre in Times Square in 1926. | Interested in magic since 1917, Grossman determined to be a mentalist after witnessing a performance by [[Dunninger]] at the old Palace Theatre in Times Square in 1926. | ||
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Then again in 1939, in the [[Linking Ring]] for September, his exposure of the 'Spirit Pictures' in that month's issue of Popular Science Magazine, he was blamed for ruining the effect still being used by some magicians. | Then again in 1939, in the [[Linking Ring]] for September, his exposure of the 'Spirit Pictures' in that month's issue of Popular Science Magazine, he was blamed for ruining the effect still being used by some magicians. | ||
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{{References}} | {{References}} | ||
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{{DEFAULTSORT:Grossman,Sam}} | {{DEFAULTSORT:Grossman,Sam}} |
Revision as of 13:39, 16 March 2014
Sam Grossman | |
Cover of Genii (1945) | |
Flourished | 1930s |
---|---|
Known for | mentalism and exposing fortune tellers |
Sam Grossman (fl. 1930s) performed mentalism and mindreading at private parties, clubs, and at homes of the elite, as a professional entertainer.
Biography
Interested in magic since 1917, Grossman determined to be a mentalist after witnessing a performance by Dunninger at the old Palace Theatre in Times Square in 1926.
He collected over 2,500 volumes on magic and occult sciences on superstitions for a book he was writing.[1]
As a kid growing up in New York's East Side, he was always interested in fortunetellers. But as he grew up, he believed it should only be done for entertainment purposes. He then started exposing fortunetellers to the public whenever possible. This exposure however, did cause concern to fellow magicians. In the July 1938 of the Sphinx, the editor chastised him for and expose which appeared on the June 5th in one of the large Sunday papers. Then again in 1939, in the Linking Ring for September, his exposure of the 'Spirit Pictures' in that month's issue of Popular Science Magazine, he was blamed for ruining the effect still being used by some magicians.
References
- ↑ Cover Genii 1945 January