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Difference between revisions of "Svengali Trio"

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(Created page with "'''Svengali Trio''' was a Vaudeville act in the early 1900s that performed Second Sight.<ref>Henry Ridgely Evans. Old and the New Magic. (1906): </ref> In their act, ...")
 
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'''Svengali Trio''' was a [[Vaudeville]] act in the early 1900s that performed [[Second Sight]].<ref>Henry Ridgely Evans. Old and the New Magic. (1906): </ref>
 
'''Svengali Trio''' was a [[Vaudeville]] act in the early 1900s that performed [[Second Sight]].<ref>Henry Ridgely Evans. Old and the New Magic. (1906): </ref>
  
In their act, [[Hugo Lorenzo]] would moved about the theater receiving whispered requests from the audience for specific musical selections or the names of celebrities. Without Hugo saying a word, the pianist, Elsie Terry, would break into the suggested melodies or the make-up artist, George Stuckenberg, would transform himself into a resemblance of the famous person named.
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In their act, [[Hugo Lorenz]] (or Lorenzo) would moved about the theater receiving whispered requests from the audience for specific musical selections or the names of celebrities. Without Hugo saying a word, the pianist, Elsie Terry, would break into the suggested melodies or the make-up artist, George Stuckenberg, would transform himself into a resemblance of the famous person named.
  
 
They toured the world until around 1920.<ref>Psychic Paradoxes by John Booth (1984)</ref>
 
They toured the world until around 1920.<ref>Psychic Paradoxes by John Booth (1984)</ref>

Revision as of 14:15, 20 February 2012

Svengali Trio was a Vaudeville act in the early 1900s that performed Second Sight.[1]

In their act, Hugo Lorenz (or Lorenzo) would moved about the theater receiving whispered requests from the audience for specific musical selections or the names of celebrities. Without Hugo saying a word, the pianist, Elsie Terry, would break into the suggested melodies or the make-up artist, George Stuckenberg, would transform himself into a resemblance of the famous person named.

They toured the world until around 1920.[2]

Also billed as "The Lawrence Svengali Trio", "The Lorenz Svengali Trio", "Svengali and Trilby", and "Svengali and Miss Terry".

References

  1. Henry Ridgely Evans. Old and the New Magic. (1906):
  2. Psychic Paradoxes by John Booth (1984)