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Difference between revisions of "Farelli's Card Magic"
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| author = Victor Farelli | | author = Victor Farelli | ||
| pub_date = 1933 | | pub_date = 1933 | ||
− | | publisher = | + | | publisher = Edward Bagshawe & Co. |
− | | subject = | + | | subject = Card Magic |
| image_file = | | image_file = | ||
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| illustrator = | | illustrator = | ||
| language = English | | language = English | ||
− | | pages = | + | | pages = 105 |
| isbn = | | isbn = | ||
| series = | | series = | ||
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| gbooks = <!-- google books ID --> | | gbooks = <!-- google books ID --> | ||
}} | }} | ||
+ | |||
+ | FARELLI’S | ||
+ | CARD MAGIC: | ||
+ | |||
+ | A PRACTICAL TREATISE ON LITTLE-KNOWN CARD SLEIGHTS, INCLUDING NUMEROUS NEW CARD PROBLEMS By VICTOR FARELLI | ||
+ | |||
+ | Editor of | ||
+ | |||
+ | "The Odin Rings.” | ||
+ | |||
+ | Author of | ||
+ | |||
+ | "The Master Speller" | ||
+ | |||
+ | "Controlled Coincidence" | ||
+ | |||
+ | "The Mystic Seven" | ||
+ | |||
+ | Illustrated by Seventy-eight Photographs and Sketches, also many Diagrams. | ||
+ | |||
+ | CONTENTS | ||
+ | |||
+ | * Foreword | ||
+ | * Introduction | ||
+ | * Index of Illustrations | ||
+ | |||
+ | |||
+ | Chapter 1 - FLOURISHES | ||
+ | |||
+ | Fancy Shuffles | ||
+ | |||
+ | * The Standard "Waterfall" Shuffle | ||
+ | * The “Double Waterfall" Shuffle | ||
+ | * The “Spring” Shuffle | ||
+ | |||
+ | The Cards on the Arm | ||
+ | |||
+ | * The “Throw” | ||
+ | * The “V.F. Throw and Turn" | ||
+ | * The “Slide” | ||
+ | * The Mulholland “Grab" | ||
+ | * The Back to Front “Toss” | ||
+ | * Spreading Two Packs | ||
+ | * The “Dart Forward” | ||
+ | * The Weyer “Gather-Up” | ||
+ | * An Easy Combination | ||
+ | |||
+ | The “Boomerang” Card | ||
+ | |||
+ | * Throwing Two Cards in Succession | ||
+ | * Throwing Cards with Both Hands | ||
+ | * Card Caught with Hand at Side | ||
+ | * Throwing Two Cards Together | ||
+ | * Catching a Card with Scissors | ||
+ | * Addition to Cutting a Card in the Air | ||
+ | * Loaded Card for “Boomerang” | ||
+ | |||
+ | |||
+ | The “One Hand Drop” | ||
+ | |||
+ | * The Cards to Use | ||
+ | * The “Blindfold Drop” | ||
+ | * The Vertical “One Hand Drop” | ||
+ | * The “Ambidextrous” Drop | ||
+ | |||
+ | |||
+ | |||
+ | |||
+ | Chapter 2—PASSES | ||
+ | |||
+ | |||
+ | * The “Drop" to Cover the Pass | ||
+ | * A Common Fault | ||
+ | * Turning the Pack to Hide the Pass | ||
+ | * The “Move” that Mystified Downs | ||
+ | * Dr. Elliott’s Presentation | ||
+ | * The Rubber Band Version | ||
+ | * The “Weyer” Version | ||
+ | * The Improved“ Bluff” Pass | ||
+ | * The “Charlier” Pass | ||
+ | * The “Veneri” Move | ||
+ | |||
+ | Chapter 3-SUBSTITUTES FOR THE PASS | ||
+ | |||
+ | * The “Mahatma” Substitutes | ||
+ | * First Version | ||
+ | * Second Version | ||
+ | * Third Version | ||
+ | * The Bagshawe Substitute | ||
+ | * The “Riffle” Substitutes | ||
+ | * Using a “Longitudinal Bridge” | ||
+ | * Using the Veneri “Flesh” Break | ||
+ | * The “Strip Cut” Shuffle Substitute | ||
+ | |||
+ | |||
+ | |||
+ | * Eliminating the Pass for Forcing | ||
+ | * The “Strip” Cut | ||
+ | * “Sighting” | ||
+ | * Shuffling to the Centre | ||
+ | * By means of the “In-jog” | ||
+ | * Pack Cut by Spectator | ||
+ | * The “Continental” Cut | ||
+ | |||
+ | Chapter 4—FORCING | ||
+ | |||
+ | * Timing | ||
+ | * Balance | ||
+ | * Some “Imperfections” | ||
+ | * Closing the Fan | ||
+ | * Suggesting Liberty of Choice | ||
+ | * Aggressiveness | ||
+ | * Exposing on the Stage | ||
+ | * The Nervous Assistant | ||
+ | * Choosing a “Force" | ||
+ | * A “Tip” from Spain | ||
+ | * The Table “Spread” | ||
+ | * A Simple Infallible Force | ||
+ | * The Touch Method | ||
+ | * The “Pencil” Force | ||
+ | |||
+ | Chapter 5—FALSE SHUFFLING | ||
+ | |||
+ | * Should Cards be Shuffled? | ||
+ | * The Roumanian “Fan” Shuffle | ||
+ | * The “Lace-Through” Table Shuffle | ||
+ | * Learning the Sleight | ||
+ | * The Interlocking Shuffle | ||
+ | * The “Waterfall” Blind Shuffle | ||
+ | * The Oblique Cut | ||
+ | * The Shuffle | ||
+ | * The “Strip Cut” False Shuffle | ||
+ | * The “Milking” Shuffle | ||
+ | * “Setting” the Pack | ||
+ | * A Substitute for False Shuffling | ||
+ | |||
+ | Chapter 6—PALMING | ||
+ | |||
+ | * The Cards to Use | ||
+ | * Common Faults | ||
+ | * Curling the Forefinger | ||
+ | * Stillness of the Arm | ||
+ | * Spreading the Thumb | ||
+ | * The Longitudinal Grip | ||
+ | * The Devant “Mark-Off” | ||
+ | |||
+ | Chapter 7-SECOND DEALING | ||
+ | |||
+ | * The First Method | ||
+ | * First Exercise : Moving a Pair | ||
+ | * Second Exercise : The Withdrawal | ||
+ | * Third Exercise : Seizing the Second Card | ||
+ | * Fourth Exercise : The “Swing” | ||
+ | * The Second Method | ||
+ | |||
+ | Chapter 8—Miscellaneous SLEIGHTS and “TIPS” | ||
+ | |||
+ | * A Link with the Past | ||
+ | * A Clean Slip | ||
+ | * A Little-known “Glimpse" | ||
+ | |||
+ | |||
+ | * The Veneri “Flesh” Break | ||
+ | * The Veneri Discovery | ||
+ | * A General Utility “Location” | ||
+ | * Disposal of Located Card | ||
+ | * Suggestions A “Sucker Gag ” | ||
+ | * Returning a Card to the “Fan” | ||
+ | * Thumb-Counting | ||
+ | * Crimp and Riffle Location | ||
+ | * The Goldin Visible “Change” | ||
+ | * The Houdini “Bluff” Change | ||
+ | * The “Left-About” Change | ||
+ | * To “Sight” the Bottom Card | ||
+ | * How to “Bridge” | ||
+ | * For the Table “Spread” Force | ||
+ | * The Tail of the “Q” | ||
+ | * Cards with White Borders | ||
+ | * The Mexican Turn-Over | ||
+ | * To Make Cards “Slippery” | ||
+ | * Obtaining a “Stock” With a Borrowed Pack | ||
+ | * Learning New Sleights | ||
+ | |||
+ | Chapter 9—TRICKS BASED ON THE “GLIDE" | ||
+ | |||
+ | * The Three Packets | ||
+ | * The Partagas “Sell” | ||
+ | * A Matter of Thought | ||
+ | |||
+ | Chapter 10—EASY EFFECTS | ||
+ | |||
+ | * Subtlety versus Manipulation | ||
+ | * A “Close-Work” Discovery | ||
+ | * The “Follow-Up” | ||
+ | * The “Soo” Stripper Pack | ||
+ | * The “Double Crimp” | ||
+ | |||
+ | Chapter 11—THE CARD TO WALLET | ||
+ | |||
+ | * A Strange Hallucination | ||
+ | * Up His Sleeve | ||
+ | * The “Sandwich” | ||
+ | * A Double Surprise | ||
+ | * The Original Card to Pocket | ||
+ | * For Conjurers Only | ||
+ | * Pure Bluff | ||
+ | * With an Unprepared Pocket-Book | ||
+ | |||
+ | Chapter 12-MORE TRICKS | ||
+ | |||
+ | * The “Do-it-Yourself” Discovery | ||
+ | * The Veneri “Turn” | ||
+ | * Four from Five Leaves One | ||
+ | * The “Slick” Ace | ||
+ | * A Study in Blue and White | ||
+ | * The “Simplex” Thirty Cards | ||
+ | * The Floating Image | ||
+ | * Slightly Different Presentation | ||
+ | * An Additional Effect | ||
+ | * History and “Invention” | ||
+ | |||
+ | L’ENVOI | ||
{{Books}} | {{Books}} |
Revision as of 17:12, 12 November 2019
Farelli's Card Magic | |
Author | Victor Farelli |
---|---|
Publisher | Edward Bagshawe & Co. |
Publication Date | 1933 |
Language | English |
Pages | 105 |
Subject | Card Magic |
FARELLI’S CARD MAGIC:
A PRACTICAL TREATISE ON LITTLE-KNOWN CARD SLEIGHTS, INCLUDING NUMEROUS NEW CARD PROBLEMS By VICTOR FARELLI
Editor of
"The Odin Rings.”
Author of
"The Master Speller"
"Controlled Coincidence"
"The Mystic Seven"
Illustrated by Seventy-eight Photographs and Sketches, also many Diagrams.
CONTENTS
- Foreword
- Introduction
- Index of Illustrations
Chapter 1 - FLOURISHES
Fancy Shuffles
- The Standard "Waterfall" Shuffle
- The “Double Waterfall" Shuffle
- The “Spring” Shuffle
The Cards on the Arm
- The “Throw”
- The “V.F. Throw and Turn"
- The “Slide”
- The Mulholland “Grab"
- The Back to Front “Toss”
- Spreading Two Packs
- The “Dart Forward”
- The Weyer “Gather-Up”
- An Easy Combination
The “Boomerang” Card
- Throwing Two Cards in Succession
- Throwing Cards with Both Hands
- Card Caught with Hand at Side
- Throwing Two Cards Together
- Catching a Card with Scissors
- Addition to Cutting a Card in the Air
- Loaded Card for “Boomerang”
The “One Hand Drop”
- The Cards to Use
- The “Blindfold Drop”
- The Vertical “One Hand Drop”
- The “Ambidextrous” Drop
Chapter 2—PASSES
- The “Drop" to Cover the Pass
- A Common Fault
- Turning the Pack to Hide the Pass
- The “Move” that Mystified Downs
- Dr. Elliott’s Presentation
- The Rubber Band Version
- The “Weyer” Version
- The Improved“ Bluff” Pass
- The “Charlier” Pass
- The “Veneri” Move
Chapter 3-SUBSTITUTES FOR THE PASS
- The “Mahatma” Substitutes
- First Version
- Second Version
- Third Version
- The Bagshawe Substitute
- The “Riffle” Substitutes
- Using a “Longitudinal Bridge”
- Using the Veneri “Flesh” Break
- The “Strip Cut” Shuffle Substitute
- Eliminating the Pass for Forcing
- The “Strip” Cut
- “Sighting”
- Shuffling to the Centre
- By means of the “In-jog”
- Pack Cut by Spectator
- The “Continental” Cut
Chapter 4—FORCING
- Timing
- Balance
- Some “Imperfections”
- Closing the Fan
- Suggesting Liberty of Choice
- Aggressiveness
- Exposing on the Stage
- The Nervous Assistant
- Choosing a “Force"
- A “Tip” from Spain
- The Table “Spread”
- A Simple Infallible Force
- The Touch Method
- The “Pencil” Force
Chapter 5—FALSE SHUFFLING
- Should Cards be Shuffled?
- The Roumanian “Fan” Shuffle
- The “Lace-Through” Table Shuffle
- Learning the Sleight
- The Interlocking Shuffle
- The “Waterfall” Blind Shuffle
- The Oblique Cut
- The Shuffle
- The “Strip Cut” False Shuffle
- The “Milking” Shuffle
- “Setting” the Pack
- A Substitute for False Shuffling
Chapter 6—PALMING
- The Cards to Use
- Common Faults
- Curling the Forefinger
- Stillness of the Arm
- Spreading the Thumb
- The Longitudinal Grip
- The Devant “Mark-Off”
Chapter 7-SECOND DEALING
- The First Method
- First Exercise : Moving a Pair
- Second Exercise : The Withdrawal
- Third Exercise : Seizing the Second Card
- Fourth Exercise : The “Swing”
- The Second Method
Chapter 8—Miscellaneous SLEIGHTS and “TIPS”
- A Link with the Past
- A Clean Slip
- A Little-known “Glimpse"
- The Veneri “Flesh” Break
- The Veneri Discovery
- A General Utility “Location”
- Disposal of Located Card
- Suggestions A “Sucker Gag ”
- Returning a Card to the “Fan”
- Thumb-Counting
- Crimp and Riffle Location
- The Goldin Visible “Change”
- The Houdini “Bluff” Change
- The “Left-About” Change
- To “Sight” the Bottom Card
- How to “Bridge”
- For the Table “Spread” Force
- The Tail of the “Q”
- Cards with White Borders
- The Mexican Turn-Over
- To Make Cards “Slippery”
- Obtaining a “Stock” With a Borrowed Pack
- Learning New Sleights
Chapter 9—TRICKS BASED ON THE “GLIDE"
- The Three Packets
- The Partagas “Sell”
- A Matter of Thought
Chapter 10—EASY EFFECTS
- Subtlety versus Manipulation
- A “Close-Work” Discovery
- The “Follow-Up”
- The “Soo” Stripper Pack
- The “Double Crimp”
Chapter 11—THE CARD TO WALLET
- A Strange Hallucination
- Up His Sleeve
- The “Sandwich”
- A Double Surprise
- The Original Card to Pocket
- For Conjurers Only
- Pure Bluff
- With an Unprepared Pocket-Book
Chapter 12-MORE TRICKS
- The “Do-it-Yourself” Discovery
- The Veneri “Turn”
- Four from Five Leaves One
- The “Slick” Ace
- A Study in Blue and White
- The “Simplex” Thirty Cards
- The Floating Image
- Slightly Different Presentation
- An Additional Effect
- History and “Invention”
L’ENVOI