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Difference between revisions of "Oil and Water"

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You do that by "magically" separated spots from figures.
 
You do that by "magically" separated spots from figures.
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Can we conclude that Hofzinser didn't read and/or understand french ?
  
 
[[Category:Card Plots]]
 
[[Category:Card Plots]]
 
[[Category:Card Problems]]
 
[[Category:Card Problems]]

Revision as of 14:06, 14 March 2009

Oil and Water is a classic plot in card magic where a small group of red cards are intermixed with a group of black cards. The black cards (representing oil) magically separate and assemble at the top of the packet. This is usually done a number of times.

This effect was noted as a Card Problem by Hofzinser1.

The premiss of this effect was first published by Walter B. Gibson in Jinx as Like Seeks Like (issue 91, November 1940). You need six cards, you use the Glide and you don't openly alternate the cards.

The Oil and Water theme and presentation was created by Ed Marlo, who also developed many methods for the effect, published first in The Cardician and M-U-M (1953).

Variations

  • Oil & Water Climax from Ibidem N° 8, december by Ed Marlo (1956) have a sequence in which oil and water mixed.
  • Oil and Queens from The Devil's Playthings by Roy Walton (1969) adds a kicker where the one set turns into the 4 queens.
  • Camouflage from Packet Switches (Part Two) by Karl Fulves (1973) added a climax where all of the cards became the same color.

References

Quote : "The Magic Separation : This is what remain of Hofzinser's approach to the Oil and Water (?) theme. The Performer shows a deck of cards, calling attention to the fact that the colors are mixed. The performer places the deck on the table and makes two packets. Immediatly each half is turned face-up, showing all the red in one half, all the blacks in the other."

In Nouvelle Magie Blanche Dévoilée (1853) Ponsin described, page 152, a trick in which, after a spectateur had suffled the deck, you cut it then give it again to the spectator to look for the figures. He can't find them and you produce them from your pocket.

You do that by "magically" separated spots from figures.

Can we conclude that Hofzinser didn't read and/or understand french ?